A thoughtful board book for parents to share with little ones building language skills.
A kitten makes mischief in Rosensweig’s picture book.
A gray and white tabby kitten known only as Kitty shares a close bond with her human, a Black child who spends an eventful day with her. At first, he can’t find Kitty at all, but observant readers will notice her tail poking out of a cardboard box. Once properly reunited, the pair drink milk together (“Drink, drink, drink”), but not without incident: Kitty knocks over his glass (“push, push, push…”) and goes tumbling down with it, only to get covered in milk herself (“wet, wet, wet”). This does not deter her from further adventures as she leaps out of the house in pursuit of a pink ball of yarn that the child throws to her. She’s quickly distracted by insects and a dog that chases her all the way up a tree, necessitating rescue by the fire department. Rosensweig offers a highly effective narrative to a young audience working on their vocabularies (she provides a list of early communication tips in the book’s opening pages to enrich the reading experience as readers’ brains develop). Rutherford’s illustrations include fun details, like a sneaky mouse for kids to point out, and depict the only two humans as a Black child and a light-skinned, female-presenting firefighter.
A thoughtful board book for parents to share with little ones building language skills.Pub Date: Sept. 27, 2024
ISBN: 9781959044031
Page Count: 20
Publisher: N/A
Review Posted Online: July 8, 2024
Review Program: Kirkus Indie
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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