ROSE GIRL

A mysterious orphan becomes a saintly figure after discovering she has a miraculous gift in Payne’s medieval thriller debut.

The novel opens in Konya, Turkey in 1270, where Rumi, the poet and Sufi mystic, is approaching the end of his life. He has been called on to perform the funeral of a girl whose charred body has arrived in the possession of a partially tongueless monk. On attending to her, the poet is overcome by the scent of roses and discovers the girl to still be alive. The narrative then skips back to 1256 to describe the birth of Damascena in a Bulgarian monastery. The friar who assists in her delivery, Ivan Balev, is alarmed by the smell of roses that surrounds the child and by the arrival of a stork that seems to watch over her. After her mother’s disappearance, Damascena is left to be raised by the increasingly malevolent Ivan; as a young woman, she escapes the monastery. She discovers that she has the gift of turning roses into rose oil and is recognized as a saint. However, she again falls into the clutches of Ivan, who devises ways of exploiting her gift. The true meaning of her existence becomes clear only when she escapes to Turkey and encounters Rumi. Payne has crafted an absorbing page-turner whose plot unfolds at a satisfyingly unhurried pace. The author takes time to embellish the story with carefully crafted descriptions: “her long, dark hair—as shiny as a raven’s wing in the mid-day light.” The prose is beautifully uplifting, particularly when communicating the spiritual change Damascena’s gift brings to the monastery: “Young and old spoke of seeing God between the trees, within the trees, in the clouds and in the face of the sun.” There are rare occasions when the author’s descriptive approach is too heavy-handed; however, this detracts little from a thought-provoking story that, in many ways, echoes the tenor of Rumi’s work in its desire to understand the human condition and seek courage in vulnerability.

Disarmingly powerful—a nuanced story of female resilience that reaches across the ages.