by Holly M. McGhee ; illustrated by Pascal Lemaître ‧ RELEASE DATE: Sept. 5, 2017
A look at fear from a privileged perspective.
How can one person make a difference?
A girl, frightened by what she sees on the news, asks her father, a white man, what to do to make the world a better place. Appealing watercolor-and-ink illustrations portray their resulting walk to the subway as they say hello to passers-by and, in doing so, win “a tiny battle over fear for themselves and for the people of the world.” Next, the girl asks her mother, a brown-skinned woman, and together, the two shop for dinner, because “one person doesn’t represent a family or a race or the people of a land.” Finally, the biracial girl asks to walk her dog. Her parents allow her to do this alone, their message to the world that they don’t want to “live in fear.” The girl and her dog walk with a neighbor boy (who is black), because “two people together are stronger than one.” The story concludes with the idea that to improve the world, one need only carry on and be kind, and the result feels superficial and treacly; the characters essentially receive praise for recognizing that human connections are important, and the girl, eager to make some sort of a difference in the world, never finds out about any further options or ideas. World events may be difficult for both adults and children to process or comprehend, but this well-intentioned selection fails to offer much beyond self-congratulation.
A look at fear from a privileged perspective. (Picture book. 3-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-5247-3905-8
Page Count: 40
Publisher: Putnam
Review Posted Online: July 3, 2017
Kirkus Reviews Issue: July 15, 2017
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by Holly M. McGhee ; illustrated by Pascal Lemaître
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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edited by Eric Carle
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by Eric Carle ; illustrated by Eric Carle
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