Only the mine resembles a living thing in this flat and utterly predictable tale.
An improbable romance brings a flashy New Yorker to coal country.
Opting for a fictional excavation of the territory he mined in three bestselling memoirs (Sky of Stone, 2001, etc.), Hickam introduces us to Song Hawkins, a beautiful, successful executive who runs her father’s business acquisitions with an iron hand. When she falls for West Virginia mine superintendent Cable Jordan during a meet-cute accident, however, her brain goes out the window. While on a romantic vacation she agrees to a quickie wedding, then the two return to their separate lives, hoping the future will resolve their lifestyle—and location—conflicts. Song tries first. Arriving in the mountain town of Highcoal, she’s appalled by the filth and apparent ignorance of the natives, who judge her “a pure little witch.” Song lasts four days before fleeing back to a ridiculously stereotyped New York. But Song’s heart belongs to Cable, and to help her get him back her father buys the mine’s controlling company, effectively putting her in charge. When an accident kills one of the few people she liked during her brief stay, Song returns to Highcoal and ends up wearing the red helmet of a mine trainee. If she’s going to save the floundering mine—and Cable’s job—she’s going to learn about it from the bottom up. In the real world, acquisitions expert Song would be highly unlikely to be involved with the day-to-day running of any company, but why let reality stand in the way? The pure and noble spirits of Highcoal have ruined New York for our spunky heroine, and it’s only a matter of time before she’s back in Cable’s arms, $200 blouses forgotten. Hickam’s caricatures do neither community justice.
Only the mine resembles a living thing in this flat and utterly predictable tale.Pub Date: Feb. 5, 2008
ISBN: 978-1-59554-214-4
Page Count: 352
Publisher: Thomas Nelson
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2007
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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