A sweet tale of finding love and redemption that fans of strong female leads will particularly enjoy.
A woman’s reluctant return to her hometown leads to unexpected romance in Gibbs’ debut novel.
When Penny Crenshaw discovers her husband, Teddy, is cheating on her with a much younger woman, she thinks her life is going to fall apart. Having grown up in a broken home, with only her grandparents as her emotional anchors, Penny thought she had cultivated the perfect life and marriage in Atlanta, Georgia, miles away from Camden, Kentucky, the hometown she ran away from. Soon, the gossip about her marriage becomes too much to bear, and, after Teddy whisks their three children away to Africa for the summer, Penny decides to go back to Camden to sort out the estate of her grandmother, Ruby Ray. The narrative introduces flashbacks to Penny’s childhood to illustrate why she left Camden (and why she took to heart the lesson, “You don’t go poking the bear. You might not be so lucky next time”). When she runs into Bradley Hitchens, her high school sweetheart, the situation grows more complicated. The author crafts a complex will-they, won’t-they romantic dynamic that delves into the importance of confronting personal demons and the irony of finding yourself in the place you tried to leave behind. Though the constant interference by various well- and ill-meaning characters in Camden can grow a little frustrating at times (and read as an overemphasis on the politics of small-town gossip mills), Gibbs’ thoughtful handling of Penny’s setting herself free by returning to her past is so engrossing that it seldom matters. Although primarily a romance narrative, the multifaceted plot is refreshing in that the hero, a mother entering middle age, is allowed the room to find and understand herself in addition to becoming embroiled in a romance plot.
A sweet tale of finding love and redemption that fans of strong female leads will particularly enjoy.Pub Date: May 16, 2023
ISBN: N/A
Page Count: 354
Publisher: Red Adept Publishing
Review Posted Online: April 4, 2023
Kirkus Reviews Issue: May 15, 2023
Review Program: Kirkus Indie
A surprisingly sensual sports romance.
A collegiate diver and swimmer secretly pursue kink together, and risk falling in love along the way.
Scarlett Vandermeer is struggling. Despite a successful recovery from the injury that almost ended her Stanford diving career, she hasn’t been able to get her head together, and it’s affecting her performance. Plus, she’s trying to stay focused on getting into medical school. A relationship would be out of the question. By comparison, Lukas Blomqvist is a swimming idol, a record-breaker who wins medals as easily as breathing, and Scarlett has long been convinced he would never look in her direction—until one fateful night when a mutual friend lets slip that they have something unexpected in common: Scarlett likes to be submissive in the bedroom, while Lukas prefers to take a dominant approach. Now, they both know a big secret about each other, and it’s something neither of them can stop thinking about. It’s Lukas who suggests they have a fling—purely physical, just to take the edge off, so Scarlett can get out of her own head and stop overthinking her dives. Initially, their arrangement is easy to stick to, but the more time they spend together, the more Scarlett starts to realize that what she feels for Lukas is more than physical attraction. Complicating the situation is the fact that Scarlett’s friend Penelope Ross used to go out with Lukas, and the longer Scarlett keeps mum about her true feelings for him, the more difficult it is to keep the situation hidden from another person she really cares about. While Scarlett and Lukas’ relationship does begin as a physical one, their deeper psychological connection takes a little too long to emerge amid all the other storylines, resulting in a somewhat rushed resolution. However, Hazelwood’s latest is proof of the depth and maturity that has emerged in her writing over the years, and it highlights her embrace of sexier, more emotional elements than were present in her original STEMinist rom-coms.
A surprisingly sensual sports romance.Pub Date: Feb. 4, 2025
ISBN: 9780593641057
Page Count: 464
Publisher: Berkley
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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