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SALT MAGIC

Unusual and excellent, containing wonder within.

An eerie graphic novel slides from apparent historical fiction into an unsettling fairy tale.

Larson and Mock open this story with a kiss, as Elber, just returning to Gypsum, Oklahoma, from fighting in World War I, proposes to hometown girl Amelia. Elber’s youngest sister, Vonceil, 11, watches in envy and disgust: Until Elber left two years ago, she had been his favorite companion. At the hastily arranged wedding, volatile Great-Uncle Dell accuses Amelia of being the white witch who killed his brother Jesse nearly 70 years earlier. Not long after these events, a mysterious woman dressed in white comes to town, accuses Elber of abandoning her in France, and magically turns the farm’s fresh spring to salt water. Vonceil goes to Great-Uncle Dell for help, and he tells her a strange story that parallels an adventure that Vonceil then has with a sugar witch. After that, the story gets complicated. The tension between fully grounded reality (e.g., the Sears house the family built) and wild fantasy (e.g., the witch’s fetes) pulls the tale in opposite directions, but somehow Vonceil’s pragmatism and Larson’s clean writing keep the thread from breaking. Mock’s full-color illustrations portray mood and atmosphere extremely effectively through novel page layouts and kaleidoscopic points of view. Characters read as White.

Unusual and excellent, containing wonder within. (Graphic fantasy. 10-16)

Pub Date: Oct. 12, 2021

ISBN: 978-0-8234-4620-9

Page Count: 240

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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IMPOSSIBLE CREATURES

From the Impossible Creatures series , Vol. 1

An epic fantasy with timeless themes and unforgettable characters.

Two young people save the world and all the magic in it in this series opener.

When tall, dark-haired, white-skinned Christopher Forrester goes to stay with his grandfather in Scotland, he ventures to the top of a forbidden hill and discovers astonishing magical creatures. His grandfather explains that Christopher’s family are guardians of the “way through” to the Archipelago, where the Glimourie Tree grows—the source of glimourie, or the world’s magic. Black-haired, olive-skinned Mal Arvorian, a girl from the Archipelago, is being pursued by a murderer, and she asks Christopher for help, launching them both on a wild, dangerous journey to discover why the glimourie is disappearing and how to stop it. Together with a part-nereid woman, a ratatoska, a dragon, and a Berserker, they face an odyssey of dangerous tasks to find the Immortal, the only one who can reverse the draining of magic. Like Lyra and Will from Philip Pullman’s His Dark Materials, Mal and Christopher sacrifice their innocence for experience, meeting every challenge with depthless courage until they finally reach the maze at the heart of it all. Rundell throws myriad obstacles in her characters’ way, but she gives them tools both tangible (a casapasaran, which always points the way home, and the glamry blade, which cuts through anything) and intangible (the desire “to protect something worth protecting” and an “insistence that the world is worth loving”). Final art not seen.

An epic fantasy with timeless themes and unforgettable characters. (map, bestiary) (Fantasy. 10-16)

Pub Date: Sept. 10, 2024

ISBN: 9780593809860

Page Count: 368

Publisher: Knopf

Review Posted Online: May 30, 2024

Kirkus Reviews Issue: July 1, 2024

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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