Transcending time and place, this gentle book will take root in many hearts.
An old plum tree reminds a small immigrant child of life in Korea.
“In the backyard of our new home stood an old tree. Tall, crooked, quiet. It reminded me of the persimmon tree that shaded our porch in Korea.” With spare and empathic text, this little black-haired child displays the vulnerability that comes when moving to a new country. The family has moved to America, with white picket fences and cardinals in the yard. Homesick for the life left behind, the child, who narrates, names the tree Plumee and finds comfort in watering and caring for her. The parents, wordless, unpack boxes labeled “fragile” in the foreground. Na’s whimsically stylized illustrations are richly emotive, using space and perspective to make the tree strong and protective and the child small. When a storm levels the tree to the ground, the child remembers Grandma’s wisdom, from Korea: “An old tree knows how to lie down when it is time.” Even fallen, the tree becomes a playground for the child, sparking imaginative play by becoming a treehouse, a rocket, an island, and a ship. There is a calm symbolism throughout the story—of old memories and new places, of homesickness and adaptation, of being uprooted and the thrill of new life. Lim and Na’s collaboration has captured the essence of quiet immigrant resilience.
Transcending time and place, this gentle book will take root in many hearts. (Picture book. 4-8)Pub Date: May 4, 2021
ISBN: 978-0-8234-4338-3
Page Count: 32
Publisher: Neal Porter/Holiday House
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
PERSPECTIVES
Visually sweet, though hampered by disjointed storytelling.
In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.
Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.
Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)Pub Date: March 3, 2026
ISBN: 9780063357549
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
Another empowering outing led by a dynamic young role model.
The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.
On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.
Another empowering outing led by a dynamic young role model. (Picture book. 5-8)Pub Date: Feb. 3, 2026
ISBN: 9780316561341
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
BOOK REVIEW
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