A worthwhile jaunt for readers interested in a mix of magic, mankind, and the sinister ploys of the devil.
Debut authors Schenck-de Michele and Marquez’s urban fantasy novel about Lucifer’s daughter and a peculiar shop.
Lucinda’s Pawnshop & Antiquary is no ordinary secondhand store, much in the way Lucinda Trompe is no ordinary proprietor: “Half mortal, half immortal, she had been sired by Lucifer on a human mother—THE human mother. The woman the Torah called ‘Eve.’ ” Gifted with the ability to change form and manipulate regular mortals, Lucinda spends much of her time selling specific items to the latter. These items work as “soul magnets,” which in their own special ways work to do the bidding of Lucifer. After all, “Lucinda’s father was hell-bent (she loved that expression) on bringing mankind not to its knees, but to its grave.” With an elaborate plan that involves a group of young witches, Morgan le Fay’s Book of Shadows, a cursed pocket watch, and unrest in the Middle East, humanity seems to be in trouble. It’s trouble that Lucinda initially aids, though her infatuation with a beautiful man named Dominic Amado, and has the potential to disrupt even Lucifer’s well-laid plans. Lucinda is of course half human, a reality that occasionally allows her to subvert her father’s intentions. Hatching an intricate plot, the story progresses from different angles at a cracking pace. While the concept of Lucifer’s daughter falling in love with a modern man as she works at a magical secondhand store could have easily become awash with urban fantasy clichés, the story maintains an original feel. Touching on historical figures such as Averroes and Francis Galton, the real is woven seamlessly with the fantastical, such as when a young witch conjures a water horse—“She flung it at the first wave of men, twisting it until it looked less like a horse and more like a horrific, gleaming tornado with a wide, open vortex.” Though a passage involving a dutiful young soldier and his feuding parents seems forced, the overall story proves itself to be both genuinely surprising and, if one can imagine the devil’s daughter falling in love, touching.
A worthwhile jaunt for readers interested in a mix of magic, mankind, and the sinister ploys of the devil.Pub Date: July 14, 2015
ISBN: 978-1939457363
Page Count: 300
Publisher: Bird Street Books
Review Posted Online: April 27, 2015
Review Program: Kirkus Indie
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.
After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.
No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.Pub Date: Feb. 26, 2019
ISBN: 978-1-63557-029-8
Page Count: 848
Publisher: Bloomsbury
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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