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THE DOG'S LAST WALK

(AND OTHER PIECES)

A delightful and argute collection from a talented stylist.

A collection of mini-essays from one of England’s finest writers.

The winner of the 2010 Man Booker Prize, Jacobson (Shylock Is My Name, 2016, etc.) returns with his second collection of weekly opinion pieces from the now-defunct Independent. He writes that his goal with these brief essays, most less than three pages long, was to “entertain in a spirit of high seriousness,” to “glide seamlessly between Rabelais and George Eliot.” For 18 years, he hoped they “might surprise and energise, and would give pleasure.” They have indeed. An ever gorgeous and witty writer with his own fierce opinions, Jacobson runs the gamut from Matisse, Leonard Cohen’s fedora, and Andy Murray to children’s literature, table tennis, and the “wise decision” of shooting Osama bin Laden. For American readers, a number of these columns are rather British-centric, yet even those can be enjoyed in a pleasant ignorant haze. The title piece is a tender, bittersweet reflection on what the author surmises is the final walk of a “black Labrador as old as Methuselah” who lifts his “handsome head to smell the air one last time.” Then it’s off to a discussion of darts, “the last refuge of the serious.” Delving into erotica, he notes that “Henry James wrote hotter novels than Jackie Collins.” Another graceful piece laments the death of a superb, “irreplaceable” Italian tailor. There’s an amusing discourse on the "wonderful" Wisden, the 1,500-page “cricketers’ almanack,” and another on the time when Jacobson discovered “despondent hedonism” while listening to Peggy Lee singing “Is That All There Is?” Regarding food, Indian cuisine is the most “intrinsically ceremonial.” It isn’t all sweetness and light, thanks to harsh words about Margaret Thatcher, governmental surveillance, and the invasion of Iraq, but the author seems more at home opining on such topics as why Macbeth is “the most interesting murderer in literature.”

A delightful and argute collection from a talented stylist.

Pub Date: July 18, 2017

ISBN: 978-1-4088-4528-8

Page Count: 304

Publisher: Bloomsbury

Review Posted Online: April 18, 2017

Kirkus Reviews Issue: May 1, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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