Rich and flavorful—best ingested in small amounts so the savory pleasures linger.
The 2010 winner of the Man Booker Prize serves up selections from his columns at the Independent.
Although the essays are uniform in length, they range over a wide variety of Jacobson’s (No More Mr. Nice Guy, 2011, etc.) interests, passions, peeves, quirks and queries. Volcanoes, terrorists, Kafka, opera, the BBC, royals, weeping, beach books, the Holocaust, art, Dickens, bicycles, Americans, British politics, Leonard Cohen, Sarah Palin—these and numerous other topics bang about in Jacobson’s mind until they escape into the world. A number of stylistic and thematic similarities emerge. He adores Shakespeare, and specific allusions to the Bard appear often—as do playful uses of quotations, especially from Hamlet. Dickens is another favorite. But Jacobson also writes several times about the importance of literature that challenges rather than entertains or sedates. Brains grow when engaged and stagnate when soaked in treacle. He also writes about how governments and laws exist to make certain that the best sides of our nature hold tight reins on the worst—e.g., our desires for revenge and for harshness of all kinds. There are numerous personal pieces, too—about the death of a good friend, playwright Simon Gray; about the tenseness, then reconciliation, with Harold Pinter; about learning at a wake that he was long-listed for the Man Booker Prize. And there’s an amusing piece about his fondness of Wagner, a fondness not shared by his wife. Jacobson is certainly thoughtful and emotional but, like Mark Twain, can jolt you with laughter when you least expect it.
Rich and flavorful—best ingested in small amounts so the savory pleasures linger.Pub Date: March 1, 2012
ISBN: 978-1-60819-798-9
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: Nov. 6, 2011
Kirkus Reviews Issue: Nov. 15, 2011
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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