by Howard Markel ‧ RELEASE DATE: June 5, 1997
A revealing cultural and medical history that demonstrates how eastern European Jews, already subject to a kind of social quarantine, became the scapegoats when typhus and cholera struck New York City in 1892. Markel, a clinicial historian who now directs the Historical Center for Health Sciences at the University of Michigan Medical School, documents the quarantine year through immigrant diaries and letters, Jewish social-agency reports, government files, and the press—both Yiddish and American. Liberal use of photographs, maps, cartoons, diagrams, and drawings add to the impact of Markel's powerful narrative. When an outbreak of typhus fever in January 1892 was traced to the SS Massilia, which carried 268 Russian Jewish immigrants, every single one, sick and healthy alike, along with several thousand healthy Jews with whom they had been in contact, were quarantined on North Brother Island in the East River. The focus was not on treatment of the ill but on isolation of the suspect group and protection of the native-born. Later that year, when cholera struck, Russian Jewish immigrants were again targeted. Whereas the typhus epidemic had been managed by the New York City Health Department, the cholera outbreak brought federal and state authorities into contentious play. Markel reveals how prejudice, fear, and anti-immigrant sentiment shaped both public reaction and official policy. He points out that the intertwining of immigration policy with fear of imported disease and social scapegoating that marked this episode in our history continues to the present day, and he notes that responses to future public health crises will be as much a measure of society's perceptions of health, disease, and individual rights as they are of medical and scientific understanding. A valuable contribution to the history of public health in America, to New York City history, and to American Jewish history.
Pub Date: June 5, 1997
ISBN: 0-8018-5512-8
Page Count: 296
Publisher: Johns Hopkins Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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