For those who enjoyed Zinn's 1979 American Book Award nominee, A People's History of the United States, here's a rehash of his previous arguments against war, injustice, intolerance, and plutocratic politics. In the guise of a critical analysis of America's prevailing orthodoxies, Zinn accuses Plato and Machiavelli of misleading humankind into believing that obedience to laws and political realism are necessary components of citizenship. Locke, Madison, and Hamilton are condemned for using representative government to perpetuate a class system. In the meantime, the author denounces a wide range of American attitudes and actions in chapters on foreign policy, economics, free speech, and the legal system, etc. Predictably, he argues that America's downtrodden are victims of a system that closes minds and demands obedience. To prove his case, Zinn drags out the familiar examples of labor strikes, the WW II internment of the Japanese, civil rights demonstrations, and protests against the war in Vietnam. Included as well are his own experiences as a bombardier during WW II and as an activist teacher during the 1960's. Zinn also takes mainstream historians to task for their conservative bias and their claims to objectivity, which—he says—reinforce an undesirable status quo. As an alternative, he offers the study and advocacy of social protest. Zinn sees hope for the future in massive nonviolent movements resisting inequities—"the ultimate weapon for social change." An unabashedly subjective challenge to American orthodox beliefs, polemical and prickly.
Pub Date: Oct. 24, 1990
ISBN: 0060921080
Page Count: 341
Publisher: HarperCollins
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Sept. 15, 1990
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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