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SAILING TO NOON

A shaggy, oddly engrossing Caribbean epic powered by a vivacious cast of frenetic islanders.

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A tropical island hosts a plethora of colorful characters in this first installment of Rogers’ Caribbean Trilogy.

Set in the lush fictional Caribbean island of Canuba in the early 1980s, a time when “ethnic, appearance, and gender sensitivity had not even reached today’s low standard,” the novel introduces Chiara Trigona, an outspoken yet bookish semiretired journalist. Considered lovely by the local islanders (with her “pink epidermis and ‘good hair’”), Chiara is originally from Sicily and is an ex-New Yorker. She is taken with the island’s rich colonial history, the bronze statue of Sir Francis Drake in the center of town, and the spacious house and circular belvedere tower she rents. Infrequent writing jags whisk her away from the island, populated by Canubans who speak in a “springy, expressive” hybrid of Spanish, pidgin English, and French and are a polite if quirky community of artists, families, recurring tourists, and mavericks. The Canubans’ island is a sensual wonderland where “time is elastic” and the streets are filled with historical monuments and peopled by kooky locals. Complicating matters for Chiara is the turbulent love-hate dynamic she shares with Amado, a young, hunky, insatiably amorous man who, despite being married to Reina, keeps Chiara as his secondary lover. (The arrogant, womanizing Amado also unapologetically courts a coterie of girlfriends on the side.) Though Amado, Chiara, and Reina casually intermingle, Reina becomes furious when she finds out about his other affairs and violent fights ensue, attracting the attention of Amado’s brother-in-law, Sigfrido, who’s a cop. Chiara’s hyperactive friend, Lamia; her spiritual housekeeper, Luz Divina; local Voodoo priestess Diana; and Catulo, another of Chiara’s part-time, pansexual lovers also populate Rogers’ imaginative, overstuffed saga. Amado’s confession of a love affair outside of Chiara’s and Reina’s orbit escalates the novel’s climax into a frenzy of suspicion, disastrous melodrama, and sorcerous revenge.

The author confides that the inspiration for his novel was drawn from notebooks he’d received from a Sicilian journalist who was preparing to permanently withdraw and disappear into “an unnamed country in Asia” in 2016. The sparsely plotted story he concocted from this starting point derives its greatest appeal from the characters and their gritty dialect as well as the amount of intricate detail Rogers stuffs into these pages. The author excels at depictions of the lush, atmospheric island features, Chiara’s sexual conquests, and her daily dress-code decision-making process. Rogers is also masterful at building and elaborating upon a community of salty islanders, suspicious wives, lusty lovers, and recreational acquaintances all set in melodramatic motion or caught in moments of erotic impulsivity. The narrative benefits greatly from multiple narrators who offer vibrant perspectives on the misadventures and mishaps surrounding these tropical misfits—though at times, the flashy pageantry of Rogers’ vigorous and frequently rambling prose does become wearying. By the time the rollicking conclusion arrives, it’s evident there are many more tales to tell of this island; Canuba becomes a character in and of itself. Rogers employs satire, sex, and drama in wondrous ways. A shaggy, oddly engrossing Caribbean epic powered by a vivacious cast of frenetic islanders.

Pub Date: Dec. 7, 2023

ISBN: 9781959556589

Page Count: 414

Publisher: Spuyten Duyvil Publishing

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 15, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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