The command of tone and voice sustains tension until the very last page of a novel that will long resonate in the reader’s...
A simple Holocaust story presents a complex moral equation.
The first work by this French author to be translated into English, this short novel from 2012 packs a punch. The narrator is apparently a German soldier stationed in Poland during a very cold winter of World War II. His camp’s main mission seems to be the extermination of Jews by capturing and shooting them. The narrator and his two comrades have no stomach for the killing, but their only recourse is to go searching for Jews in the countryside and bring them back instead. “We would rather do the hunting than the shootings,” he tells his base commander, a reservist like him, in the plainspoken, matter-of-fact diction that characterizes the narrative and adds to its chilling conclusion. “We told him we didn’t like the shootings: that doing it made us feel bad at the time and gave us bad dreams at night.” So the narrator and his two very different compatriots embark on a long, frigid search, and they in fact encounter a “Jew,” the first time this word is used, a third of the way into the novel. Despite a language barrier, they communicate that they are bringing him back to camp. Much of the second half of the novel finds the three soldiers and their captive in a deserted hovel where they find temporary refuge from the cold: “The house appeared from behind a row of trees. We didn’t need to talk about it. The decision was made by our stomachs and the icy sky.” They then face a number of other survival decisions: how to cook, eat, and stay warm. The intrusion of a Polish hunter from the countryside further complicates their situation. Though another language barrier presents itself, it is obvious that the Pole’s hatred of the Jew is more intense than anything the soldiers feel. As they spend time and share food together, the captors experience some subtle shifts. Over the course of “the strangest meal we ever had in Poland,” the narrator and his cohort wrestle with the morality of delivering their captive to camp.
The command of tone and voice sustains tension until the very last page of a novel that will long resonate in the reader’s conscience.Pub Date: July 5, 2016
ISBN: 978-1-62097-173-4
Page Count: 144
Publisher: The New Press
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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