by Hubert Mingarelli ; translated by Sam Taylor ‧ RELEASE DATE: Oct. 9, 2018
Spare, matter-of-fact and masterfully controlled, this is a novel as noteworthy for what it leaves out—politics, purpose for...
Four young soldiers find comfort and a sense of belonging with each other that at least one of them has never experienced before.
French novelist Mingarelli (A Meal in Winter, 2016, etc.) focuses tightly on a winter in 1919 when the Red Army is encamped near a forest while awaiting the spring that will surely bring the battalion’s movement and the resumption of violence within the Russian civil war. The first-person narrator is named Benia, though the reader doesn’t learn this until almost a third of the way through the novel, within the dialogue he recounts. The first chapter shows how quickly, coincidentally, and almost accidentally he bonded first with another young soldier, then another, and then with a fourth they recruited. “I thought to myself: That’s it, I’m not alone in the world any more,” he says. “And I was right.” The reader learns little about Benia, perhaps because Benia doesn’t think there is much worth knowing. He's an orphan who had little sense of connection or purpose before joining the army and being sent to the Romanian front. There, he meets Pavel, another young soldier, who changes Benia's life when he says, “Let’s stay together.” The narrator intuits that Pavel is smarter, more experienced, and more of a leader, a contrast underlined when Pavel subsequently befriends the larger and more impulsive Kyabine, who will do the heavy lifting for the group, and the more compassionate and intuitive Sifra, who says little and reveals less of himself than the others. Though the winter is harsh, its interlude is almost idyllic, at least in terms of what the four men know is coming—the endless march toward violence. They find a pond that they keep secret from the others. They pass around a watch that has a woman’s face, which they consider lucky. They play dice games, gamble with cigarettes, share meager rations. They are joined by another, whose intrusion changes the dynamic. And then they are ordered to move, and Pavel insists, “Where we’re going there won’t be any good moments, because all that is behind us now.” And he is right, as the foursome’s bond cannot survive.
Spare, matter-of-fact and masterfully controlled, this is a novel as noteworthy for what it leaves out—politics, purpose for fighting, anything that reflects on the world at large—as for what it includes.Pub Date: Oct. 9, 2018
ISBN: 978-1-62097-440-7
Page Count: 160
Publisher: The New Press
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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by Hubert Mingarelli & translated by Sam Taylor
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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by Donna Tartt
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by George Orwell ‧ RELEASE DATE: Aug. 26, 1946
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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by George Orwell ; edited by Peter Davison
BOOK REVIEW
by George Orwell & edited by Peter Davison
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