This notwithstanding, Talbott has produced a handsome, valuable companion to River of Dreams (2009) and an accessible and...
Watercolorist and illustrator Talbott, a Cole admirer and evangelist, has produced a child-friendly paean to the brief (1801-1848) but productive life of an American landscape-painting pioneer.
Born in Britain, Cole immigrated to the United States as a teen, worked as an itinerant craftsman, and began art studies in Philadelphia before moving to New York. Soon, prompted by a patron, Cole took his first voyage up the Hudson and discovered his passion for the American landscape. Though his life was brief, his dramatic paintings struck a deep chord and spawned a wholly new, uniquely American “school”—the Hudson River landscape school. Talbott’s admiration is clear, but backmatter is sorely needed: There is no glossary, no timeline, and little detail to help readers grasp the impressive size and ambition of Cole’s two major painting series: The Course of Empire (five paintings at 39.5 inches by 63.5 inches each) and The Voyage of Life (four paintings at approximately 52 inches by 72 inches each). Readers will long for context to flesh out cursory references to such influences as England’s J.M.W. Turner, mentor American artist John Trumbull, and Cole’s artistic progeny, Asher Durand and Frederic Church, as well as the Hudson River landscape school itself.
This notwithstanding, Talbott has produced a handsome, valuable companion to River of Dreams (2009) and an accessible and inspired introduction to an important, influential promoter of the unspoiled American landscape. (Picture book/biography. 6-10)Pub Date: Sept. 4, 2018
ISBN: 978-0-399-54867-3
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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