by Hugh Howard ‧ RELEASE DATE: Jan. 25, 2022
An absorbing and informative history from a significant historian/biographer.
The engaging lives of two American visionaries.
In a vivid, deeply researched dual biography, Howard, a historian of architecture and design, pays homage to two men who exerted a huge influence on America’s homes, parks, and public spaces: landscape designer and environmentalist Frederick Law Olmsted (1822-1903) and architect Henry Hobson Richardson (1838-1886). The men, who became collaborators, friends, and neighbors, could not have been more different. The ebullient Richardson, the son of a wealthy Southern mercantile family, was brilliant, handsome, and privileged. A grandson of naturalist Joseph Priestly, he went to Harvard, and when he decided to enter the relatively new profession of architecture, he enrolled at the prestigious École des Beaux-Arts in Paris, where he embarked on a productive apprenticeship. Olmsted, quieter and reserved, had been prevented from going to college because of an eye problem; after working at several jobs, he thought he might become a farmer. During a trip abroad in the early 1850s, however, he was inspired by Europe’s public parks to stand for election as superintendent of Central Park in Manhattan—a project that earned him accolades. The Civil War changed both men’s lives. Louisiana-born Richardson faced financial straits; Olmsted headed the Army’s Sanitary Commission and, after the war, worked for a mining company in California, where he obtained a commission to design what would become Berkeley, including the University of California campus. Howard details their many collaborative projects, including the Albany Capitol, the grounds of the U.S. Capitol, the Buffalo State Asylum for the Insane, and many private estates. Olmsted designed Brooklyn’s Prospect Park as well as other parks across the country. Richardson was the acclaimed architect for Boston’s Brattle Square Church and Trinity Church as well as for his innovative open-plan homes. Howard chronicles their family lives and health problems as well as their creative work, illustrated with period photographs. As he did in Architecture's Odd Couple: Frank Lloyd Wright and Philip Johnson, the author brings the architectural world to life on the page.
An absorbing and informative history from a significant historian/biographer.Pub Date: Jan. 25, 2022
ISBN: 978-0-8021-5923-6
Page Count: 416
Publisher: Atlantic Monthly
Review Posted Online: Oct. 19, 2021
Kirkus Reviews Issue: Nov. 15, 2021
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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