A follow-up to 1993's endearing Everything Looks Impressive, with a whiplash funny sprint through the merciless memory of the late-1980s overstuffed art scene. Kennedy's book might well have been titled Everything Looks Impressive, but Not for Long. Why? Because in the burgeoning career of recent Princeton grad Fred Layton, the 1987 Black Monday stock market crash is right around the corner. Not that Fred's new employer, unscrupulous art dealer and all-around nouveau riche reptile Nelson Albright, gives a hoot. This, after all, is a man who owes Sotheby's millions. Promised by Albright that he'll be a millionaire by the time he's 30, Fred settles into indentured servitude at Albright's Boston gallery, contending with the boss's tidal caprices, sidestepping the plots of a backstabbing fellow salesman, developing jaundiced art-world versions of collegiality and friendship, and struggling—peripherally—with his homosexuality. While wooing several major clients, including a former cocaine trafficker and a wealthy North Carolina society matron, Fred learns how to lie through his teeth, improvise art history, and pass off damaged prints as rare art. He even gets picked up by a luscious Texas antiques dealer, but he fails to muster the gumption to betray the supremely self-interested Albright. After the crash, Albright's already shaky finances undergo a full-fledged assault from a rival dealer, Oksana Outka, who raids her main competitor's clientele and schemes to have Albright exiled from the art world. Fred makes a hobby of rescuing Albright from the abyss, but the flamboyant gallerist's abusive, blowtorch personality leaves Fred dreaming of escape, and the action concludes with a memorable confrontation at a Sotheby's auction. Kennedy showcases a talent for deft plotting, wonderfully bitchy dialogue, and for savage caricature, memorably rendering the hypermoneyed as a pack of jackals mistaking the smell of dollars for good taste. A droll, madcap, witty, downright old-fashioned romp that mixes dynamite satire with featherweight tragedy. Kennedy was one to watch. Now he's one to wait for.
Pub Date: Oct. 1, 1996
ISBN: 0-385-47736-8
Page Count: 304
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
