A fun and clever introduction to an ancient art form.
A girl embarks on a fantastical adventure through a landscape permeated with calligraphy.
After a brief introduction that explains that the art form originated thousands of years ago in ancient China, when people carved pictographs into bones and shells, the story switches to the present day as Lulu watches Grandpa (both of whom are cued Chinese) draw on a large scroll. He shows her how ancient characters such as those for bird or mountain mimic the ideas they represent. When Lulu tries her hand at drawing, her character for door begins to glow, and the pictograph swings open. Lulu steps into a mysterious world, led by the same bird character that Grandpa had drawn. In this land, people and objects are illustrated using black-inked Chinese characters dancing among watercolor details and backgrounds—characters for grass are drawn clumped together in a green field, and the character for child bows to greet Lulu. The climax occurs when Lulu meets a calligraphic fire-breathing dragon and, using her brush like Harold’s purple crayon, draws her way to safety with the Chinese characters she needs. Much of the story is told in appealing vignettes and speech bubbles, and at the top of every page, readers will find pictures of the characters used in the illustration along with their English meanings, allowing kids to match the characters with their roles in the scene. (This book was reviewed digitally.)
A fun and clever introduction to an ancient art form. (author’s note) (Picture book. 4-8)Pub Date: Sept. 19, 2023
ISBN: 9780316340731
Page Count: 40
Publisher: Christy Ottaviano Books
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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