An adjunct to but no replacement for earlier, more-skilled accounts.
The voices of the combatants enliven this account of the Battle of Stalingrad.
The titular structure, for those unfamiliar with details of this pivotal conflict, is no aid to maritime navigation but instead a four-story apartment building in the middle of Stalingrad that became a critical garrison for Soviet forces struggling to repel the Nazi invaders. Given the call sign “Lighthouse,” it provided a commanding vantage point amid the rubble that surrounded it (marked “ruins” on an accompanying map) and became the stuff of legend when its dramatic storming by Yakov Fedotovich Pavlov and an ethnically diverse group of guardsmen hit the Soviet propaganda machine. Despite the title and his introduction’s insistence on the need to examine the truth behind the myth, MacGregor spans the entire campaign, from Hitler’s decision in spring 1942 to take out Stalingrad on the way to the Caucasian oil fields to the ignominious surrender of the tattered remains of the Sixth Army in winter 1943. The capture of “Pavlov’s House” occupies a chapter midway through, but the author reserves an actual examination of the myth for the epilogue. Uncertain focus notwithstanding, the battle makes for a compelling account, and MacGregor effectively uses primary sources, including the archived personal stories of Soviet veterans and the unpublished memoir of German officer Friedrich Roske, who comes fully alive in these pages—as does Alexander Ilyich Rodimtsev, whose 1967 memoir also furnishes significant color. MacGregor’s telling, however, is notably rough. In addition to presenting readers with the usual alphanumeric thicket of names pervasive in military histories, the author has a propensity for convoluted, awkward sentences that make the reading experience a slog. That the drama of the conflict, with the fighting waged room by room, still comes through is no small testament to the story’s bones, but readers will find a more satisfying study in Antony Beevor’s Stalingrad.
An adjunct to but no replacement for earlier, more-skilled accounts.Pub Date: Nov. 29, 2022
ISBN: 978-1-982163-58-7
Page Count: 400
Publisher: Scribner
Review Posted Online: Aug. 2, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
Gessen is a Suetonius for our time, documenting the death of the old America while holding out slim hope for its restoration.
The National Book Award winner delivers a handbook for an age in which egomania is morphing into autocracy at warp speed.
New Yorker contributor Gessen, an immigrant from what was then the Soviet Union, understands totalitarian systems, especially the ways in which, under totalitarian rule, language is degraded into meaninglessness. Today, writes the author, we are “using the language of political disagreement, judicial procedure, or partisan discussion to describe something that was crushing the system that such terminology was invented to describe.” Against that, Gessen suggests, we now have an administration for which words hold no reality, advancing the idea that “alternative facts” are fine but professing dismay when one calls them lies. The step-by-step degradation of democratic institutions that follows is a modern-day rejoinder to the fact that more than half a dozen years separated the Reichstag fire from World War II. That’s a big buffer of time in which to admit all manner of corruption, and all manner of corruption is what we’ve been seeing: Gessen reminds us about Mick Mulvaney’s accepting handsome gifts from the payday-loan industry he was supposed to regulate and Ben Carson’s attempt to stock his office with a $31,000 dining-room set. Yet corruption’s not the right word, writes the author, since Trump and company are quite open and even boastful about what used to be a matter of shame and duplicity. The real tragedy, it seems, is that they have been so successful in creating what the author calls a “new, smaller American society,” one that willfully excludes the Other. Many writers have chronicled the Trump administration’s missteps and crimes, but few as concisely as Gessen, and her book belongs on the shelf alongside Timothy Snyder’s On Tyranny and Amy Siskind’s The List as a record of how far we have fallen.
Gessen is a Suetonius for our time, documenting the death of the old America while holding out slim hope for its restoration.Pub Date: June 2, 2020
ISBN: 978-0-593-18893-4
Page Count: 240
Publisher: Riverhead
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
The Pulitzer Prize–winning journalist (1900–45) collected his work from WWII in two bestselling volumes, this second published in 1944, a year before Pyle was killed by a sniper’s bullet on Okinawa. In his fine introduction to this new edition, G. Kurt Piehler (History/Univ. of Tennessee at Knoxville) celebrates Pyle’s “dense, descriptive style” and his unusual feel for the quotidian GI experience—a personal and human side to war left out of reporting on generals and their strategies. Though Piehler’s reminder about wartime censorship seems beside the point, his biographical context—Pyle was escaping a troubled marriage—is valuable. Kirkus, at the time, noted the hoopla over Pyle (Pulitzer, hugely popular syndicated column, BOMC hype) and decided it was all worth it: “the book doesn’t let the reader down.” Pyle, of course, captures “the human qualities” of men in combat, but he also provides “an extraordinary sense of the scope of the European war fronts, the variety of services involved, the men and their officers.” Despite Piehler’s current argument that Pyle ignored much of the war (particularly the seamier stuff), Kirkus in 1944 marveled at how much he was able to cover. Back then, we thought, “here’s a book that needs no selling.” Nowadays, a firm push might be needed to renew interest in this classic of modern journalism.
Pub Date: April 26, 2001
ISBN: 0-8032-8768-2
Page Count: 513
Publisher: Univ. of Nebraska
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2001
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