Rich, lively characters make this epic tale a journey worth taking.
Kingdoms are thrown into chaos as a prophesized war looms in Spier’s debut fantasy series opener.
In 1564, many people disregard Tyrianna, a reputed Sea Witch, who foretells a “great sundering” and a “great war.” Then an elf from the Elven Kingdom of Valantir also predicts imminent doom as a mysterious fever spreads throughout the land. Meanwhile, King Kazius Auguron of Razadur leads an army primed for battle with surrounding kingdoms. But Kazius may not be the greatest menace they face; the people of Oakthorn, for example, are soon headed toward a possible confrontation with undead creatures, including vampires, ghouls, and zombies. There’s personal turmoil for some characters, as well. Oakthorn’s Honor Guard captain, Conrad Redmane, for one, must go into hiding after someone tries to pin a double murder on him. One of Conrad’s guards, Sgt. Alex Mill, also known as “Alex the Meek,” desperately searches for his kidnapped daughter, Molly. Tyriana’s visions of the great sundering include three champions who’ll need help to battle the impending evil. Indeed, a series of clashes is inevitable, with the kingdoms perpetually endangered by creatures such as dragons, demons, and a savage werewolf. Spier impressively manages a plethora of characters in this titanic novel. Some have similar names (or even the same first one, such as Alex Mill and Alex Redoak of Oakthorn), but the author makes sure that readers are never confused. The large cast does make the book feel more like a collection of subplots than a cohesive tale, particularly as there’s no discernible protagonist. Nevertheless, intriguing mysteries abound, from the identities of “the Bad Wolf” and the leader of the undead, to revelations about certain characters’ relationships to one another. Much of the plot progresses via abundant but sharply focused dialogue, and although the serious narrative is largely devoid of humor, the frequent insults are memorable, such as “bootlicking slime,” “spineless slugs,” and “crotchety old bastard.”
Rich, lively characters make this epic tale a journey worth taking.Pub Date: Jan. 31, 2017
ISBN: 978-1-5356-0695-0
Page Count: 756
Publisher: Time Tunnel Media
Review Posted Online: April 23, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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