by Ian Frazier ‧ RELEASE DATE: June 7, 2016
Pieces that show Frazier’s ranging curiosity, lucent style, and capacious heart.
The veteran humorist and reporter for the New Yorker presents a collection of pieces that record his pursuits of wild hogs, hermit crabs, Asian carp, a Styrofoam substitute, and numerous other quarry.
Most of these pieces date from the previous decade and are arranged in an order that reflects not so much chronology as rhythm (shorter ones are sprinkled in among the longer), though some do relate more or less thematically to those surrounding. A piece on beach art, for example, precedes one on Hurricane Sandy’s assault on the beaches and inland territory of Staten Island. Frazier (The Cursing Mommy’s Book of Days, 2012, etc.), who recently wrote about his journeys in a famously remote land (Travels in Siberia, 2010), ranges here over terrain more familiar to him—Manhattan and environs—although he does venture elsewhere, including Arizona and the Netherlands. In pieces previously published (and now slightly revised) in the New Yorker and other publications, the author gives readers a clear look at his research methods, fearlessness, vast curiosity, clear style, and unusual ability to get away with telling us things that would sound boring and unnecessary from a lesser writer—for instance, the routes and modes of transportation he took to arrive at relevant sites. His approach will remind readers of his great New Yorker colleague John McPhee: he seeks out the quirky and interesting people involved in his story (e.g., others who, like him, were seeking the place in Death Valley where Charles Manson was captured), gives us rich background derived from his deep reading of his subject (like an antidote to heroin overdoses), offers interviews with the principals in his cases (the family in New Jersey who thought a meteorite had punctured their bathroom ceiling), and so on. His celebrated humor glows rather than erupts in these more expository pieces.
Pieces that show Frazier’s ranging curiosity, lucent style, and capacious heart.Pub Date: June 7, 2016
ISBN: 978-0-374-29852-4
Page Count: 384
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 30, 2016
Kirkus Reviews Issue: April 15, 2016
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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