Two years after his checkered hero’s last outing, Rankin makes you feel the wait was worth every day, whatever comes next.
Criminal Investigation Department pensioner John Rebus is lured from forced retirement by the world’s most unlikely client.
Wheelchair-bound Morris Gerald Cafferty, known by every criminal in Edinburgh as Big Ger, feels uncharacteristically guilty over the pressure he put on Jack Oram, who managed the Potter’s Bar for Cafferty and helped himself liberally to the till before vanishing four years ago. Now that he’s heard rumors Oram’s back in town, he’d like his old nemesis to track the embezzler down so that Cafferty could have a word with him. Initially incredulous, Rebus agrees to poke around. Meanwhile, Rebus’ old mate DI Siobhan Clarke is looking for another missing person—Cheryl Haggard, who has enough scars to present convincing evidence against her husband, Francis, a uniformed cop accused of domestic violence. Clarke’s old frenemy DI Malcolm Fox, a hotshot who’s vaulted into the Specialist Crime Division, wants her investigation shut down before Francis Haggard can retaliate by implicating half his fellow officers on the Tynecastle force. When Francis takes the dilemma out of Clarke’s hands by going AWOL and turning up conveniently stabbed to death, everything’s resolved—except for all those accusations about the Tynecastle constabulary, and the fate of the dead-or-alive Jack Oram, and what looks increasingly like a revolving door between Edinburgh’s criminal establishment and Edinburgh’s finest. Rebus and Clarke soon establish connections between his case and hers, but that unsurprising news is only the beginning of a series of detonations, figurative and literal, that will ultimately land Rebus, as a teasing prologue shows, standing in the dock himself.
Two years after his checkered hero’s last outing, Rankin makes you feel the wait was worth every day, whatever comes next.Pub Date: Oct. 18, 2022
ISBN: 978-0-316-47363-7
Page Count: 352
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
This mystery’s promising premise bogs down in an overloaded cast.
When one woman takes on another’s identity to uncover a crime, they both become suspects in a murder.
Aubrey Price and Camille Bayliss come from different worlds, only crossing paths because of the discovery that Camille’s husband, powerful lawyer Ben Bayliss, is hiding something terrible that affects them both. As the novel opens, Aubrey is driving Camille’s Range Rover, then teetering into a bar on Camille’s high heels, with Camille’s dress and credit cards and a wig that mimics Camille’s hair, pretending to be her because Ben tracks his wife’s every move and expenditure, and Camille wants to create a smokescreen while she sneaks into his office in search of evidence of that unnamed secret. But the scheme goes awry, and the women become each other’s alibis after Camille finds Ben murdered in their home. The first part of the book builds suspense and misdirection well, with Aubrey and Ben’s straight-arrow partner, Hank Landry, serving as first-person observers in some chapters while others track Camille. She’s a wealthy and privileged woman but not a happy one, stuck under the thumbs of her husband and her tyrannical father, Randall Everett, who pretty much runs their small Louisiana town. Aubrey was orphaned as a teen when her parents died in a car crash and has proudly fended for herself ever since, coming to depend on her four roommates, who have become friends. But as the cast of characters grows, it seems as if almost everyone in town has a motive for killing Ben, and the piling up of suspects and movements among different timelines can sometimes be confusing. And it all comes to a frustrating end when, after a whole school of red herrings, the solution to Ben’s murder arrives out of far left field.
This mystery’s promising premise bogs down in an overloaded cast.Pub Date: Jan. 13, 2026
ISBN: 9780593834459
Page Count: 352
Publisher: Pamela Dorman/Viking
Review Posted Online: Dec. 10, 2025
Kirkus Reviews Issue: Jan. 15, 2026
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