Two years after his checkered hero’s last outing, Rankin makes you feel the wait was worth every day, whatever comes next.
Criminal Investigation Department pensioner John Rebus is lured from forced retirement by the world’s most unlikely client.
Wheelchair-bound Morris Gerald Cafferty, known by every criminal in Edinburgh as Big Ger, feels uncharacteristically guilty over the pressure he put on Jack Oram, who managed the Potter’s Bar for Cafferty and helped himself liberally to the till before vanishing four years ago. Now that he’s heard rumors Oram’s back in town, he’d like his old nemesis to track the embezzler down so that Cafferty could have a word with him. Initially incredulous, Rebus agrees to poke around. Meanwhile, Rebus’ old mate DI Siobhan Clarke is looking for another missing person—Cheryl Haggard, who has enough scars to present convincing evidence against her husband, Francis, a uniformed cop accused of domestic violence. Clarke’s old frenemy DI Malcolm Fox, a hotshot who’s vaulted into the Specialist Crime Division, wants her investigation shut down before Francis Haggard can retaliate by implicating half his fellow officers on the Tynecastle force. When Francis takes the dilemma out of Clarke’s hands by going AWOL and turning up conveniently stabbed to death, everything’s resolved—except for all those accusations about the Tynecastle constabulary, and the fate of the dead-or-alive Jack Oram, and what looks increasingly like a revolving door between Edinburgh’s criminal establishment and Edinburgh’s finest. Rebus and Clarke soon establish connections between his case and hers, but that unsurprising news is only the beginning of a series of detonations, figurative and literal, that will ultimately land Rebus, as a teasing prologue shows, standing in the dock himself.
Two years after his checkered hero’s last outing, Rankin makes you feel the wait was worth every day, whatever comes next.Pub Date: Oct. 18, 2022
ISBN: 978-0-316-47363-7
Page Count: 352
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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