Stewart receives an A for telling us how vast, wonderful and useful are all the members of the world of numbers but a lower...
The erudite British math professor revels in the wonders of numbers.
Stewart (Emeritus, Mathematics/Univ. of Warwick; The Mathematics of Life, 2011, etc.) adopts the framework of the chapters as subjects to elucidate the charms of the digits one to 10, adding separate chapters for special numbers including zero, negative numbers, rationals and irrationals, pi, e, the imaginary number i (the square root of minus 1) and so on. For each, the author provides historical context—e.g., many 19th-century mathematicians found the notion of infinity abhorrent. Stewart’s approach works well early on, giving a nice sense of how math has evolved to ever larger number systems that have many applications beyond pure mathematics. However, Stewart tells about the remarkable findings of great mathematicians rather than showing how they were obtained. This is partly because the proofs involved are too complex or technical, requiring some knowledge of calculus or complex numbers. Yet even in simpler cases where Stewart shows steps in a proof, his explanations are terse and may assume too much on the part of readers. (On the other hand, he is expansive in giving the names and dates of those who carried out calculations of the square root of 2 or pi to a zillion places.) The degree of sophistication grows in the latter half of the text, as Stewart discourses on fractals, musical scales, packing problems, Rubik’s cubes, string theory and encryption, including an analysis of the celebrated German enigma code of World War II. The topics defy any logical sequence, so a discussion of wallpaper patterns can be followed by the famous birthday problem in which it turns out that the probability of two people in a group having the same birthday is greater than 50 percent in a group as small as 23 people.
Stewart receives an A for telling us how vast, wonderful and useful are all the members of the world of numbers but a lower grade for his explanation of the whys and wherefores.Pub Date: April 7, 2015
ISBN: 978-0-465-04272-2
Page Count: 304
Publisher: Basic Books
Review Posted Online: Jan. 21, 2015
Kirkus Reviews Issue: Feb. 1, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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