Stewart’s imaginative, often-witty anecdotes, analogies and diagrams succeed in illuminating many but not all of some very...
An aggressively unsimplified account of 14 great problems, emphasizing how mathematicians approached but did not always solve them.
Fermat’s Last Theorem, 350 years old and solved by Andrew Wiles in 1995, produced headlines because laymen were amazed that mathematicians could make new discoveries. In fact, mathematics is as creative as physics, writes prolific popularizer Stewart (Mathematics Emeritus/Univ. of Warwick; The Mathematics of Life, 2011): “Mathematics is newer, and more diverse, than most of us imagine.” Goldbach’s Conjecture—that every even number can be written as the sum of two prime numbers (250 years old, probably true but not proven)—provides the background for a chapter on the unruly field of prime numbers: those divisible only by one and itself (3, 5, 7, 11, 13…). Squaring the Circle—constructing a square with an area identical to a given circle (2,500 years old; proven impossible)—introduces pi. Schoolchildren learn that pi is the ratio of the circumference of a circle to its diameter, but it’s a deeply important number that turns up everywhere in mathematics. Most readers know that Newton’s laws precisely predict motions of two bodies, but few know that they flop with three. The Three-body Problem (330 years old, unsolved) continues to worry astronomers since it hints that gravitational forces among three or more bodies may be unstable, so the planets may eventually fly off.
Stewart’s imaginative, often-witty anecdotes, analogies and diagrams succeed in illuminating many but not all of some very difficult ideas. It will enchant math enthusiasts as well as general readers who pay close attention.Pub Date: March 1, 2013
ISBN: 978-0-465-02240-3
Page Count: 320
Publisher: Basic Books
Review Posted Online: Dec. 10, 2012
Kirkus Reviews Issue: Jan. 1, 2013
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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