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MASTERS OF THE PLANET

THE SEARCH FOR OUR HUMAN ORIGINS

Keeping a critical eye on the evidence and a skeptical one on theories, Tattersall confirms his status among world...

A veteran anthropologist writes a superb overview of how our species developed (a long process) and how we grew smart enough to dominate the planet (a short process in which evolution played little part).

Tattersall (Paleontology: A Brief History of Life, 2010, etc.), curator emeritus at the American Museum of Natural History, begins with early hominids, who took the first step away from apedom about 5 million years ago by rising to walk on two legs. In absorbing detail, he describes two centuries of often-grueling field research that turned up more species that learned to make tools and whose brains slowly grew. For 3 million years, our small-brained ancestors, the Australopithecus genus, spread throughout Africa before leaving the scene. From about 2 million years ago, bigger-brained members of genus Homo ranged across Eurasia without making a great impression. Homo sapiens, remarkably young at 200,000 years, did not seem a great improvement until about 60,000 years ago, when their brains began processing information symbolically, leading to language, art, technology and sophisticated social organization, all of which accompanied our species across the world, wiping out competing hominids. While researchers argue over why this happened, Tattersall emphasizes that evolutionary milestones, even dramatic ones like flying, do not happen when new features appear but take advantage of those already present. Feathers existed long before birds flew, and Homo sapiens’ brains were always capable of great things.

Keeping a critical eye on the evidence and a skeptical one on theories, Tattersall confirms his status among world anthropologists by delivering a superior popular explanation of human origins.

Pub Date: March 27, 2012

ISBN: 978-0-230-10875-2

Page Count: 272

Publisher: Palgrave Macmillan

Review Posted Online: Nov. 20, 2011

Kirkus Reviews Issue: Dec. 1, 2011

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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