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THE LIBERATION

From the Alchemy Wars series , Vol. 3

A frighteningly frank and brutal consideration of slavery, post-slavery, and colonialism in metallic garb.

The thoughtful, blood-soaked conclusion to an alternate-history trilogy (The Rising, 2015, etc.) in which the Dutch rule Europe and the New World thanks to their control of Clakkers, mechanical servants fueled by clockwork and alchemy.

The mechanical Daniel has freed all Clakkers from their alchemical servitude to their human masters. Some Clakkers have simply walked away from their centuries of slavery. Others have come to the aid of the Dutch Empire’s underdog rival, the French. And many have chosen to violently revenge themselves on all humans, regardless of nationality. While the French struggle to seize the advantage and reclaim their long-abandoned homeland, the Dutch must accept that, contrary to their long-held beliefs, their metal creations are thinking, feeling beings…and what they are feeling is very, very angry. The battle between two nations metastasizes into a desperate fight for human survival. The Dutch and the French must put aside their centuries-old enmity to ally against their common foe: the monstrous mechanical Queen Mab, who seeks to draw all mechanicals—and all humans—under her sway, willingly or not. Rarely (possibly never?) in our history have slaves entered freedom with such significant physical and technological advantages over their former masters, and so it is interesting and frequently stomach-turning to witness how such a scenario would play out. The series makes it clear that mechanicals are not insensible machines; it emphasizes how deeply Clakkers feel and how profoundly they experience pain when they attempt to defy orders, how dreadful it is for Clakkers (and humans) to be without free will, and how devastatingly confusing it can be to have it restored. Their often violent response is disturbing but highly understandable, practically inevitable, in context.

A frighteningly frank and brutal consideration of slavery, post-slavery, and colonialism in metallic garb.

Pub Date: Dec. 6, 2016

ISBN: 978-0-316-24805-1

Page Count: 464

Publisher: Orbit

Review Posted Online: Sept. 20, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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THE PRIORY OF THE ORANGE TREE

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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