by Ian Wilson ‧ RELEASE DATE: June 1, 1998
A stubborn but unconvincing apologia for the author’s persistent belief that the Shroud of Turin is the actual burial shroud of Jesus. Wilson has penned two other defenses of the shroud (The Turin Shroud, 1978, and The Evidence of the Shroud, 1986), but both of those books were published before 1988, when scientists determined through radiocarbon dating that the shroud was made from 14th-century linen and so could not be Jesus— burial clothing. After a decade of reformulating his theory, Wilson is back, as vociferous as ever. This book is testimony not so much to the authenticity of the Shroud of Turin but to the veracity of Leon Festinger’s theory of cognitive dissonance: When presented with evidence that their beliefs are impossible or their predictions unrealizable, individuals will cling to their long-cherished convictions that much more tenaciously rather than relinquish them. Wilson just refuses to let this issue die, attempting instead to cast doubt on the scientific procedures that first declared the shroud to be spurious. Any imagination utilized in this book is reserved for the subject matter, not the writing style. Most chapters have rhetorical questions as titles: —Cunning Painting—or Genuine Gravecloth?— (Genuine.) Or: —Carbon Dating, Right or Wrong?— (Dead wrong.) Wilson is particularly interested in the imprint of Jesus on the shroud, which he claims is —a 2000-year old photograph of him as he lay in death.— Despite his own intense certitude, Wilson tries to be evenhanded, never openly excoriating those who hold other views. In the last chapter, he invites readers to examine their own hearts on the matter, and raises a far more interesting question than that of the shroud’s authenticity: Why should we care? The book is unlikely to persuade the skeptics Wilson is clearly trying to reach, but never fear; he will almost certainly write more on the subject. (illustrations)
Pub Date: June 1, 1998
ISBN: 0-684-85359-0
Page Count: 304
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1998
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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