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RESURRECTING HEBREW

A gem for readers interested in Hebrew and the politics of language.

A personal and intellectual search for the history of modern Hebrew.

Haunted by a cryptic dream, Stavans (Dictionary Days, 2005, etc.) journeyed to Israel to learn everything he could about the revival of vernacular Hebrew in the 19th and 20th centuries. His complicated linguistic background as a Spanish- and Hebrew-speaking Jewish man in Mexico engendered a passionate curiosity in all things Hebrew, especially a man named Eliezer Ben-Yehuda, the amateur lexicographer who set about in the late 1800s to resuscitate and reinvent the ancient language in the service of solidifying a Jewish political state in Israel. This project met with vehement resistance from Orthodox Jews, many of whom believed, and still believe, that Hebrew, as the language of God and of creation, should be reserved for holy matters only, not brought to street level to be used by anyone who would claim it. The search for Ben-Yehuda’s legacy proved much more complicated than the author had expected. He was not widely celebrated as the resuscitator of modern Hebrew in Israel; only a handful of his neologisms survive; and the scholars and experts interviewed by Stavans expressed, at best, ambivalence toward his life’s work. Instead of Ben-Yehuda's vision of a single, unified Jewish language, Stavans found that spoken Hebrew in Israel is infused with the political and cultural workings of several languages, including Arabic, English, Yiddish and, increasingly, Russian, among others. Throughout the book, Stavans nimbly interweaves popular and scholarly references to Hebrew’s evolution among Israeli citizens, including Palestinians, but he writes for an audience with a working knowledge of the language, pausing only occasionally to translate words and cultural practices for the uninitiated. In cerebral yet clear prose, he imbues the book with his passion for the Semitic languages in all their manifestations. The resulting text is more scholarly than the average memoir and more personal than a purely academic work—an amalgam of the author’s experiences and encounters.

A gem for readers interested in Hebrew and the politics of language.

Pub Date: Sept. 30, 2008

ISBN: 978-0-8052-4231-7

Page Count: 256

Publisher: Schocken

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2008

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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