An often colorful novel that refreshingly doesn’t fall back on clichés.
Two troubled Trinidadian women discover a surprising connection in this debut novel.
Trinidadian immigrant Bea Clark is a successful history professor living in Boston, but despite her accomplishments, she suffers from crippling depression. Her low self-esteem springs both from her father’s abandonment of the family when she was young and her mother’s near-constant criticism (including typical belittling comments such as “I don't know what I do wrong in this life to deserve a child like you”). After Bea lands in a psychiatric facility following a nervous breakdown, she starts the slow process of rebuilding her life, including shifting her career to clinical psychology. In Trinidad, 15-year-old Tina Ramlogan is also adrift, as her mother, Nalini, refuses to divulge the identity of her father. When Nalini dies in a tragic accident, orphaned Tina is sent to live in Port of Spain with her stern, conservative grandmother, and before long, Tina is acting out in typical teenage fashion. When a twist of fate brings Tina and Bea together, they discover a hidden connection that may help them create a new family—and finally give them both the sense of belonging they long for. Readers will find it a pleasure to watch Bea and Tina evolve as their circumstances change over the courses of their story arcs. Persaud offers an equally enjoyable glimpse into the close-knit, and sometimes-claustrophobic, Trinidadian society. Tina’s first-person narration is lively and humorous, delivered in a distinctive island patois that makes the feisty teen jump off the page. Bea’s sections, written in a more distant third person, lack the same intimacy, and as a result, she’s less distinct—more a combination of traits than a full-fledged person. The shifts in point of view can be jarring at times, and readers may occasionally feel as if two separate novels have been awkwardly stitched together. In the end, however, the characters’ deep pain, particularly Tina’s, comes through in a story that illustrates the cancerous power of long-held family secrets and the relief that can come from finally confronting the truth.
An often colorful novel that refreshingly doesn’t fall back on clichés.Pub Date: Nov. 1, 2013
ISBN: 978-0992697709
Page Count: 304
Publisher: Blue China Press
Review Posted Online: Nov. 22, 2013
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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