A caustic but balanced attack offers an equitable economic compromise.
A withering critique of the ethical, moral, and fiscal harms of unlimited wealth concentration.
Robeyns, who holds the chair in ethics of institutions at Utrecht University in the Netherlands, proposes to clamp a lid on extreme wealth. She details where to draw the line on how much any individual might possess ($10 million), how to legislate such a wealth cap, and what to do with the billions in new tax earnings that could be employed to vastly better use; she marshals irrefutable evidence to support many of her conclusions. Despite the accusations of anti-capitalist propaganda that conservatives level against this point of view, the author is largely persuasive in locating the many sources of gross inequity and human rights violations linked to obscene wealth. Robeyns describes numerous measures that should be taken by governments in the name of fairness and fiscal justice. Limiting what is often the useless hoarding of inert wealth and trying to achieve a fair outcome for as many people as possible is an exceedingly desirable concept, but it also flies in the face of human nature and the allure of greed. The idea does not seem attainable outside of a perfect society. One suspects that, even within democratic societies, enforcing the limitation (much less elimination) of such financial inequalities would require draconian measures under current circumstances. This is not to say that matters couldn’t be improved to a considerable extent, as Robeyns demonstrates. Still, it’s one thing to theorize in academe, proposing well-thought-out solutions, but quite another to implement them against titanic opposition, which the author freely admits. No absolutist, she’s not against earned wealth, up to a point, but rather unearned or “dirty” money. Yet strategies that work so well in small nations don’t necessarily translate to massive economies.
A caustic but balanced attack offers an equitable economic compromise.Pub Date: Feb. 6, 2024
ISBN: 9781662601842
Page Count: 288
Publisher: Astra House
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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