Not even a “Lumos” spell can rescue this flop.
Shining light through acetate windows brings six Wizarding World creatures, from Dobby the house-elf to Swooping Evil, to any darkened wall.
That’s the idea anyway—but as quickly comes apparent, neither the design nor the production of this blatant grab at spinoff dollars ensures that it will work. “Shine a light through the window on each page,” suggest the vague instructions on a removable sleeve, “to project incredible scenes on the wall or ceiling.” Similar directions on an inside leaf more accurately promise only “shadows.” The forms that are printed on each clear plastic panel are hair-thin outlines with occasional black fill. Since they seem to require particularly exact movement of either page or hand-held light source in order to bring them into focus, the best that most viewers can hope for (in the absence of a classroom transparency projector) is a hazy monochrome smear. In thoroughly optimistic bids to catch fan attention for more than a nanosecond, each sheet comes with a snatch of relevant dialogue from one of the films (“Hagrid: Isn’t he beautiful? Say hello to Buckbeak!”) headed by a scene-setting rubric, both of which are hard to read under optimal, unlit operating conditions. A final unmarked window offers viewers a chance to make their own failed projections. Neither the dry-erase markers required for this last nor a light source are provided.
Not even a “Lumos” spell can rescue this flop. (Novelty. 6-8)Pub Date: April 4, 2017
ISBN: 978-0-7636-9585-9
Page Count: 16
Publisher: Candlewick
Review Posted Online: April 30, 2017
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary...
Refined, spit-spot–tidy illustrations infuse a spare adaptation of the 1934 classic with proper senses of decorum and wonder.
Novesky leaves out much—the Bird Woman, Adm. Boom, that ethnically problematic world tour, even Mr. and Mrs. Banks—but there’s still plenty going on. Mary Poppins introduces Jane and Michael (their twin younger sibs are mentioned but seem to be left at home throughout) to the Match-Man and the buoyant Mr. Wigg, lets them watch Mrs. Corry and her daughters climb tall ladders to spangle the night sky with gilt stars, and takes them to meet the zoo animals (“Bird and beast, star and stone—we are all one,” says the philosophical bear). At last, when the wind changes, she leaves them with an “Au revoir!” (“Which means, Dear Reader, ‘to meet again.’ ”) Slender and correct, though with dangling forelocks that echo and suggest the sweeping curls of wind that bring her in and carry her away, Mary Poppins takes the role of impresario in Godbout’s theatrically composed scenes, bearing an enigmatic smile throughout but sharing with Jane and Michael (and even the parrot-headed umbrella) an expression of wide-eyed, alert interest as she shepherds them from one marvelous encounter to the next. The Corrys have brown skin; the rest of the cast presents white.
Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary Poppins Returns, which opens in December 2018. (Picture book. 6-8)Pub Date: Oct. 23, 2018
ISBN: 978-1-328-91677-8
Page Count: 32
Publisher: HMH Books
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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