PURE INNOCENT FUN

Musings on our pop-culture pasts.

Blending memoir and pop criticism, Madison’s essays lace deeply intimate stories with lavish praise and punishing blows for icons of the ’80s and on. A critic, podcast host, and TV writer, Madison pulls few punches as he lures readers into a deep nostalgia. “The beauty of nostalgia,” he writes, “is that most people forget the things that they hated about something they love.” We remember a star or a show for a moment—a song or a scene that fixated us at the time, or simply because those were the people we told our friends we loved and so defined our lives. If this retrospective flattening offers us a more cohesive view of the past, then Madison is adept at re-creating the seamlessness with which media and real life can sometimes mesh. The memoir aspects of developing an understanding of his sexuality and self-image, parsing through family dynamics, and ricocheting between majority Black and majority white spaces in education are shot through with notes on Oprah, The O.C., Tom Cruise, the Power Rangers, and even Will Smith slapping Chris Rock at the Oscars. Where the author pauses to pull apart the seams, he reveals an absurdity hidden beyond our memory. Madison’s ability to re-create the limelight, then cast withering shade, is insightful. Writing of Cruise—“a soulless cipher skilled at mimicking human emotion”—he describes the actor as “approximat[ing] human behavior in a way that makes you think he’s learning how humans interact with one another, not merely observing and deciphering it like most actors.” A brilliant critical voice for millennials, those on the cusp, or anyone who has had their eyes open over the past few decades, Madison proves a worthy successor to his own idol, Chuck Klosterman.

An engaging and often hilarious memoir-in-essays from a pop-culture fiend.