A memoir that raises serious questions about why certain flawed teaching methods have remained in U.S. schools for so long.
A mother’s memoir of how schools fail to teach children to read.
Daria, a freelance journalist turned developmental psychologist and reading specialist, is the proprietor of StepsTutoring and author of the Steps to Reading series. In this book, she recalls her struggles with teaching her son to read when his school was failing to do so. And, in a wider context, the author brings to light the underrecognized shortcomings of the modern educational system as a whole when it comes to teaching basic reading skills. At the heart of the book is the educational struggle over phonics versus the whole-language approach to reading, with the emphasis on the former and marginalization of the latter. Throughout, Daria argues that despite the popularity of the whole-language approach (going back to Dick and Jane), plenty of evidence shows that it doesn’t work, forcing parents (at least those with the wherewithal) to try to make up for schools’ deficiencies. Daria’s story is very much shaped by her experience of raising a child in Manhattan—enjoying the attendant privileges, but also dealing with a competitive public school system where middle and high school attendance is determined by application, not geography. Daria consistently displays an awareness of the advantages she had that mitigated her struggle—luxuries that many other parents do not have—but also the limitations of her advantages. The most powerful thing the author does in this memoir is to bring to light how teachers and administrators sometimes gaslight parents (and by extension, children) into believing that it is the child’s perceived deficiencies, and not the problematic teaching methods of the school, that are responsible for their failure to learn to read. The book includes generous examples of reading exercises as well as text in italics from the author’s enlightening current perspective. Overall, Daria raises some important questions about current pedagogical norms, even if she doesn’t comprehensively answer why this failing system has remained so deeply entrenched in America’s schools.
A memoir that raises serious questions about why certain flawed teaching methods have remained in U.S. schools for so long.Pub Date: N/A
ISBN: 978-0986432958
Page Count: 330
Publisher: Steps Publishing
Review Posted Online: May 28, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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