Wittig’s decades-spanning historical novel set mostly in Vienna takes us from the 1930s to the 1970s, detailing the fallout from WWII.
We start with three women—Emma Huber, Greta Bruckner, and Léonie Salzmann—who have been fast friends since grammar school. Emma’s fiance, Theo, is killed early on in an uprising in Austria, and Emma has a miscarriage and cannot bear more children. Greta marries Otto Bruckner and has a daughter, Sophie. Léonie is married to Josef, a doctor, and their daughter is the lively Valerie. By the late 1940s, only Emma is alive of the three women. For villains, we have Greta’s mother-in-law, the grasping Elsa; her sister-in-law, the vain, shallow Marion; and Marion’s husband, Friedrich, Graf von Harzburg. All of these characters are thrown into the cauldron of Hitler’s rise, the war itself, and the struggle to rebuild their world and come to terms with the evil at the root of it. Novelist Wittig has a gift for character development and for pacing. She takes her time, raising this story to the deserved level of saga. It is Emma who holds the book together, and there are many more characters than mentioned above. Friedrich is an especially fascinating piece of work. All he has in life is his aristocratic lineage (“Graf” is the equivalent of a count) and the concomitant style and manners. And the Bruckners have money, so it is the ultimate marriage of convenience. He does great damage, not so much because he is immoral but because he is amoral, morally lazy—as he would be the first to admit. The story plumbs deep sadness. At one point, Emma wonders, “Didn’t God ever have enough of death?” There are saving graces, too, including a young British army officer and a kind doctor.
A standout among the many novels set in this world-changing era.
(afterward)