BAD AGENCY

In Ember’s debut novel, a real estate agent struggles to prevent her past from sabotaging her present.

Ruby lives under a cloud of anxiety and depression. A successful real estate agent in the Bay Area, she refuses to give in to self-pity, even when an irate stranger spits on her in the middle of traffic: “I have no right to complain about the pain inside my head, my body, my soul,” she claims. “So many people in this world have real suffering that is much worse than mine.” Ruby is haunted by the abuse she suffered at the hands of her mother and by a psychotic break she experienced decades ago. She struggles in her romantic life, as she has a tendency to prioritize the needs of the men she dates over her own. As she shepherds annoying and ungrateful clients through potential home purchases—often trying to ignore the addicted and mentally ill people who live on the streets right outside—Ruby fights to get a better hold on her personal and professional relationships. Ultimately, though, the relationship she most needs to figure out is the one she has with herself. The author’s prose captures Ruby’s sharp, obsessive inner monologue, as when she fantasizes about the new man in her life, a Burning Man fan in his 50s named Nate: “It was Sunday and I was scheduled to hold the open house for Ugly-Jacket Lady. I wished I could have stayed with Nate, maybe climbed onto the back of his scooter…I was still high from our encounter, and I couldn’t focus on anything, not that selling real estate requires more thought or consciousness than it takes to drool.” Ember highlights Ruby’s trauma a bit too emphatically—a more subtle introduction of the subject would likely have been more effective—but she effectively dramatizes Ruby’s pathology in a way that demonstrates the intractability of her pain. A short novel at less than 150 pages, this narrative offers a startling and often moving slice of contemporary life.

A raw, revelatory novel about the ways trauma can shape a life.