An elegant, melancholy debut written in gorgeous prose.
In the 1970s Soviet Union, an isolated family is disturbed by industrialization.
The Kol family has lived alone in southern Siberia for decades. They belong to an ultratraditional sect of Christianity known as the Old Believers, and persecution by the Russian Orthodox Church and the Soviets has driven them into the wilderness. Agafia, now in her 30s, has never met anyone outside her family, though she's sometimes visited by visions of Peter the Great. The Kols’ isolation ends when a helicopter delivers Galina, a successful geologist, and her pilot, Snow Crane, who are surveying the area for a new iron mine. Over the course of a few months, Galina falls in love with Snow Crane and with the Russian landscape the proposed iron mine would inevitably destroy. Worse, Agafia’s siblings soon die from a disease the geologists may have brought with them. “First the germs, then the mine,” Galina muses. “By the time we’re done here, we’ll kill off everything in the taiga.” That winter, Galina and Snow Crane return to Moscow while Agafia is drawn deeper into the real world, meeting a hunter and a monastery of Old Believer nuns. Like her characters, Zhorov has deep respect for the physical world, and she honors it with poetic language. Here’s how she describes Snow Crane preparing to summit Mount Elbrus, Russia’s highest peak: “Snow Crane laid his head on the ground. Deep below the grass and granite, he heard the slow churning of melted lava, the sleeping volcano’s gentle snores.” The novel is inspired by the real story of Agafia Lykov, an Old Believer who grew up in isolation and is nearing 80 years old.
An elegant, melancholy debut written in gorgeous prose.Pub Date: Aug. 1, 2023
ISBN: 9781668011539
Page Count: 320
Publisher: Scribner
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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