by Iris Anthony ‧ RELEASE DATE: Sept. 4, 2012
Sweeping, yes. Cohesive, no.
In 17th-century France, Flemish lace is desired but illegal, so the smuggling business is alive and well.
This debut historical novel from Anthony (the pen name of a Christian book author) tells the story of lace from multiple perspectives, including an abused dog trained to smuggle lace across the border. Treated little better than the dog is Katharina, a nun who has become bent and blind from her incessant lace-making. Her sister, Heilwich, hopes to buy her back from the abbey before Katharina’s blindness is discovered and she is cast out onto the streets, very likely to earn a living by prostitution. Meanwhile, border guards are trained to hunt smugglers, and confiscated lace ends up gracing the sleeves of the aristocracy. One young girl, Lisette, becomes entranced by the lace cuffs of a visiting Count. Her curiosity, however, ruins not only the Count’s lace cuffs, but also her family’s fortunes, as he resorts to blackmail to gain vengeance. He wants, of course, not only more lace, but also a means to save his own fortune, since his father has threatened to disinherit him. Why disinherit him? Well, the Marquis has a newly pregnant wife, his first wife ruined the young Count by raising him initially as a girl, and the Count shows no inclination to produce an heir himself. Lisette’s cousin Alexandre has also endured hard times. He and his leprous father were cast out by the village priest long ago, yet Lisette’s father rescued him. He owes his life to Lisette’s father, and he has given his heart to Lisette. So when she impulsively begs the Count to take her in place of the lace, and the Count spirits her away, Alexandre vows vengeance himself. Lurking behind is the master smuggler himself, De Grote. The many facets of the story of lace are intriguing, yet Anthony does not fully weave them together. There are simply too many threads.
Sweeping, yes. Cohesive, no.Pub Date: Sept. 4, 2012
ISBN: 978-1-4022-6803-8
Page Count: 352
Publisher: Sourcebooks Landmark
Review Posted Online: April 28, 2012
Kirkus Reviews Issue: July 15, 2012
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BOOK REVIEW
by Iris Anthony
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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