by Iris Johansen ‧ RELEASE DATE: Oct. 1, 2002
Fast-moving plot, elementary prose: another zippy read from megaselling Johansen (Body of Lies, 2001, etc.).
How to catch a girl guerrilla: use her son as bait.
Murder and mayhem were a part of growing up for Elena Kyler, beautiful daughter of an American mercenary and a left-wing Colombian freedom fighter. Trained by her father in the killing arts, Elena became a member of a rebel group herself, happily harassing drug kingpin Rico Chavez until she was betrayed and essentially sold to him. For fun, Chavez liked to fight his captured enemies to the death, and he almost does the same with Elena, along with raping her repeatedly. As the story begins, Ben Forbes, a DEA agent based in Colombia, knows that Elena has escaped from prison, and that Rico Chavez will undoubtedly have her killed—unless Ben can find her first. Enter Sean Galen, a mysterious agent with a cute, vaguely English accent who usually works for the good guys (he specializes in rescuing American execs who’ve been kidnapped by South American bad guys—a mixed bag of leftist rebels, druglords, and paramilitary types). Fed up with Chavez and Colombian crooks in general, Sean’s willing to join forces with the DEA just this once. But there’s an interesting wrinkle: Elena’s angelic five-year-old son was fathered by none other than Rico Chavez, whose macho ethic compels him to take the boy from his mother, by force if necessary. So Forbes and Galen spirit Elena and little Barry away to California. Chavez’s evil henchmen follow, however, and gun down good old Forbes. Nothing daunted, Galen and Elena decide to hide somewhere else—and begin a hot affair. But Chavez tries to lure Elena out of hiding by threatening to kill her good-for-nothing brother Luis. And then the little boy is kidnapped. . . . And so on.
Fast-moving plot, elementary prose: another zippy read from megaselling Johansen (Body of Lies, 2001, etc.).Pub Date: Oct. 1, 2002
ISBN: 0-553-80245-3
Page Count: 296
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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