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ANCIENT WARRIORS

Glitches notwithstanding, this is worth a second look

Beginning in the Bronze Age, readers will take an international trip to learn about the weapons, leaders, and historically famous battles that shaped civilizations and the paths of history.

Overall, the book is well-crafted; the warriors and history are arranged in a loosely chronological order, and the book jumps from culture to culture, continent to continent every few pages, briefly describing a selection of the most successful weapons and battle strategies of each age. The illustrations—which have the look of mixed watercolor and digital—enhance the text and typically feature a full-page battle scene or character study on the verso and information about weapons, armor, etc. on the recto. Visually, some historical facts are inaccurate: Alexander the Great’s heterochromia is not depicted, and Joan of Arc seems inspired more by Albert Lynch’s 1903 depiction than by historical renderings, but overall the images are effective. The text is easily understood but has a definite, perhaps understandable bent toward hyperbole: “The Egyptian chariot was the most feared weapon in the world.” The mixture of cultures and genders throughout the book is diverse, and the inclusion of famous female generals and warriors (from Boudicca to Tomoe) is noteworthy. Backmatter beyond an index is nonexistent, which is unfortunate: Readers will search in vain for a glossary of terms, a pronunciation guide, and a timeline.

Glitches notwithstanding, this is worth a second look . (Nonfiction. 8-12)

Pub Date: Aug. 7, 2018

ISBN: 978-1-911171-93-5

Page Count: 64

Publisher: Flying Eye Books

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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WHAT JEWISH LOOKS LIKE

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world.

This wide-ranging collection of short biographies highlights 36 Jewish figures from around the globe and across centuries.

Explicitly pushing back against homogenous depictions of Jewish people, the authors demonstrate the ethnic, racial, and gender diversity of Jews. Each spread includes a brief biography paired with a stylized portrait reminiscent of those in Elena Favilli and Francesca Cavallo’s Good Night Stories for Rebel Girls (2016). A pull quote or sidebar accompanies each subject; sidebars include “Highlighting Jewish Paralympic Athletes,” “Jewish Stringed Music,” and “Ethiopian Jews in Israel.” Kleinrock and Pritchard’s roster of subjects makes a compelling case for the vastness and variety of Jewish experience—from a contemporary Ethiopian American teen to a 16th-century Portuguese philanthropist—while still allowing them to acknowledge better-known figures. The entry on Raquel Montoya-Lewis, an associate justice of the Washington Supreme Court and an enrolled member of the Pueblo Isleta Indian tribe, discusses her mission to reimagine criminal justice for Indigenous people; the sidebar name-checks Ruth Bader Ginsburg and Elena Kagan. The bios are organized around themes of Jewish principles such as Pikuach Nefesh (translated from the Hebrew as “to save a life”) and Adam Yachid (translated as the “unique value of every person”); each section includes an introduction to an organization that centers diverse Jewish experiences.

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world. (resources) (Nonfiction. 8-12)

Pub Date: Sept. 24, 2024

ISBN: 9780063285712

Page Count: 128

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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