Fans of Günter Grass will find Keun a kindred spirit in the meeting of the picaresque and the cynical.
Satirical novel of postwar Germany, written in 1950 by a writer little known outside her native country.
Ferdinand Timpe is a “returnee,” a Wehrmacht veteran who lives in a Cologne hovel. He doesn’t like the designation: “It sounds a bit like the name of a vacuum cleaner or something,” he grumbles. He wasn’t much of a soldier, he allows, though he keeps running into old comrades, such as a sergeant who saved his life but then bored him with “the stupidest and nastiest jokes I’ve ever heard in my life.” In a Germany divided in a Cold War world “ajangle with weaponry,” a shopkeeper opines that because the Americans won, they must really be Germans, since the Germans are supposed to win in any martial encounter. That’s just one example of the strange logic Ferdinand meets with, his neighbors filled with superstition, glad to spend freely on things occult while awaiting the world’s end; one of Ferdinand’s employers is a neighbor who “now has departments for podiatry, charms, talismans and scents, departments for magical cloth, for clairvoyance and crystallography and the interpretation of dreams, departments for color, astrology, chiromancy, and graphology.” Ferdinand would prefer to drink, smoke, and wander the streets dressed in a homemade jerkin, which his bohemian cousin Johanna says makes him “look like a hurdy-gurdy man’s monkey.” He lacks all ambition, evident when, in a case of mistaken identity, he’s commissioned to write an article for a new magazine, requiring him to think, fruitlessly, of a subject (“I was Hitler’s pest control guy” is one idea quickly discarded). His family, as we learn episode by episode leading up to a reunion, is just as confused, and so is everyone else. Keun, banned during the Nazi era and all but forgotten afterward, paints with a broad brush, but it’s a decidedly unusual and often quite funny picture of a defeated people about to dust themselves off and become an economic power.
Fans of Günter Grass will find Keun a kindred spirit in the meeting of the picaresque and the cynical.Pub Date: Dec. 8, 2020
ISBN: 978-163542-035-7
Page Count: 256
Publisher: Other Press
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
