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LOVELY COMPANY

A scintillating collection of interviews full of rich memories and piquant insights.

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Authors, filmmakers, aviators, and a raft of ordinary people speak out in Broughton’s collection of colorful interviews.

The author, a novelist, playwright, poet, and oral historian, gathers 25 conversations (spanning decades) with an eclectic group of subjects. Some are celebrities, including film director Sam Fuller, who expounds on the art of story structure; SF novelist Ursula K. Le Guin, who opines vehemently on both good and bad scribes (“Kill…Kill….I don’t like hack writers”); and fellow SF novelist Isaac Asimov, who expounds on his own charisma. (“I would describe myself as the best off-the-cuff after-dinner speaker in the whole damn world.”) Broughton talks to lesser-known novelists as well, including Elizabeth Spencer, who reflects on the similarities of Italy and Mississippi; George Garrett, who revisits his father’s exploits as a pioneering civil rights attorney in Florida; and Kay Boyle, who discusses visiting political prisoners in Franco’s Spain and refusing to meet Hemingway because of his womanizing. Broughton also takes an interest in flyers, including Dorothy Hester Stenzel, a stunt flyer who barnstormed air shows in the 1930s after pushing her way past male chauvinist gatekeepers, and George Gay, a United States Navy pilot who was shot down at the Battle of Midway in World War II and watched the destruction of the Japanese fleet while bobbing in the sea. And there are unsung but interesting figures like James Billie, a Florida Seminole leader who made the tribe billions of dollars building casinos, and Earl Wilson, a man celebrated in the town of Winter Park, Florida, for continuing to work at a plant nursery at the age of 97.

Broughton elicits chatty, free-wheeling conversations from his interlocutors, using a mix of open-ended questions, attentive follow-ups, and the occasional off-the-wall query. His interviews with authors are the most polished and introspective in the collection, with much analysis of the writer’s craft and its roots in character and psyche that feels fresh rather than hackneyed (“Humphrey Bogart, who looked the world straight in the face unflinchingly and who talked tough and hard, very manly, said exactly what he meant, and called things by their right names,” is how poet Richard Hugo describes one of his poetic alter egos). Many of the interviewees aren’t professional wordsmiths, but their rough-hewn observations are still evocative and atmospheric; remembering a woman caught in an avalanche with her children in an Idaho mining town, Anne Dunphy Magnuson says, “She was hurt, too, but she kept hollering about ‘Where’s my babies,’ and they said, ‘Well, they’re up there dead on the kitchen table.’ ” Even the most plainspoken exchanges can carry a complex, powerful emotional charge: “One man told me that he’d rather I didn’t come around anymore because every time his wife saw me, she got sick,” recalls George Gay, the sole survivor of his 30-man torpedo bomber unit at Midway, of his attempts to reach out to the families of his dead friends. “She felt her son should have been there, instead of me. That was a little hard to take.” The result is captivating.

A scintillating collection of interviews full of rich memories and piquant insights.

Pub Date: Nov. 23, 2022

ISBN: 9780912350950

Page Count: 391

Publisher: Mill Mountain Press

Review Posted Online: May 13, 2023

Kirkus Reviews Issue: July 1, 2023

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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MELANIA

A slick, vacuous glimpse into the former first lady’s White House years.

A carefully curated personal portrait.

First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.

A slick, vacuous glimpse into the former first lady’s White House years.

Pub Date: Oct. 8, 2024

ISBN: 9781510782693

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: tomorrow

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