A generous collection of "short-shorts"—crime stories whose brevity (2000 words or less) is often their major attraction; most of the plot twists here are familiar, but there's no time for the belaboring or padding that afflict so many of the longer mystery-magazine stories. So even if this anthology doesn't include any of the great mini-mysteries—those by Edmund Crispin, for example (cf. Fen Country, 1980)—it does offer lots of competent tales and a few real winners. Best of all: Jack Ritchie's "Shatter Proof," an elegant showdown between hired killer and victim which may remind you of the witty byplay in Sleuth. Also notable: Elsin Ann Graffam's "A Night Out With the Boys" (which can be read as a wicked little companion piece to Leonard Michaels' The Men's Club) and her more conventional "House Call"—a nice poisoned-coffee number with a Christie-ish chill. And three of the other standouts use the naturally compact exchange-of-letters format: an amusing creeper by Pronzini & Malzberg; a neat outwit-the-cops anecdote by Lawrence Treat & Charles M. Plotz; and John Lutz's dandy "Pure Rotten," a swift cross between The Bad Seed and The Ransom of Red Chief. The rest run the usual gamut, heavy on love triangles and wife-murders, with sturdy multiple entries from Henry Slesar, Edward D. Hoch, James Holding, and Elaine Slater. One misses the lighter British touch here, perhaps (and the one Michael Gilbert piece is disappointing), but mystery readers who like a light five-minute read just before bed (or between bus stops) will find this a solid source of mild mini-pleasures.
Pub Date: July 8, 1981
ISBN: 0800852524
Page Count: -
Publisher: Taplinger
Review Posted Online: Sept. 15, 2011
Kirkus Reviews Issue: July 1, 1981
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
