by Isaac Asimov ‧ RELEASE DATE: June 1, 1990
Another collection of science essays from Asimov, all originally published in The Magazine of Fantasy and Science Fiction and ranging in subject from the source of the Nile to the role of poetry in modem life. Simple enough for even the most scientifically unenlightened reader, these 17 brief meditations on cosmic rays, the dangers of overpopulation, and how compasses work reflect both Asimov's passing philosophical interests and his freewheeling, conversational style. Though he denies any attempt at social commentary, Asimov never hesitates to express opinions when the opportunity arises—on, for example, SDI (it won't work), modern poetry (it should speak to the lay reader, as opposed to other poets), and the way to achieve success (be aware of Kipling's "unforgiving minute"). His technique is as practiced and predictable as a George Burns routine as he begins each essay with a diverting personal anecdote, then expands his theme—or, in some cases, abruptly changes the subject to address the evolution of man, the formation of the moon, the effects of radon, or whatever other scientific issue has struck his fancy. Clearly enjoying his freedom to "pound the table as anyone would like to," and admittedly not spending an enormous amount of time on each essay, Asimov satisfies only the most cursory interest here—but these pieces entertain nevertheless and may, on occasion, even spark further interest among readers. Typical Asimov, for better or worse.
Pub Date: June 1, 1990
ISBN: 1558176012
Page Count: -
Publisher: Doubleday
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: May 15, 1990
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by Isaac Asimov & edited by Charles Ardai
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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