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THE WICKED CITY

The cautionary chronicle of Lot, elaborately embroidered: his sojourn in Sodom, his nick-of-time escape aided by Abraham and the two angels, his wife's well-known transformation, and his subsequent stay in the desert with his two daughters who "found a cave. . . and lived like savages. . . in filth and sin." Lot initially breaks with Abraham not after a dispute, as in Genesis, but with the words "I do not wish to remain a burden to you." More jarring is the deviation from the spirit of the original in Abraham's description of his God to the people of Sodom: "He is all merciful and provides for all that lives." Admittedly, Singer gives a particularizing fictional dimension to the story and the characters. Lot, for example, is a lawyer well known for his defense of criminals, "very shrewd" but with "little feeling for justice." He thrives in Sodom, where there is great demand for his services, becoming (as crime and its defense is officially sanctioned) "Chief Justice of the Supreme Court of Sodom." When Abraham comes to visit, Lot resists the urging of his more ruthless wife to kill the old man and talks her into leaving town with their guests just in case they speak the truth. (They don't bother to lock the door behind them, because in Sodom "lock breaking was even studied by children in school.") Such a depiction of the city verges on the comic — its Topsy Turvy legal system makes no sense otherwise — but Singer also seems to expect us to take the evil and its destruction in dead earnest; certainly Fisher's brooding, dark wine prints underline the somber import of it all as they document Lot's progression from cunning and greed to wild-eyed depravity. Altogether, this is no more outrageous a violation than, say, Hawthorne's Tanglewood Tales, but Singer's uneasy blend of the mythic and the colloquial make it hard to swallow whole, even with all those grains of salt.

Pub Date: March 15, 1972

ISBN: N/A

Page Count: -

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 4, 2011

Kirkus Reviews Issue: March 1, 1972

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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