A well-researched cultural history sure to please theater and film buffs.
The history of the innovative method that transformed American theater.
Critic and theater director Butler chronicles the history of the controversial system of actors’ training that came to be known as “Method.” Conceived by Konstantin Stanislavski, founder of the Moscow Art Theatre, and popularized in America by his apprentice Richard Boleslavsky, the technique was based on the idea that actors must draw on their “affective memory” to inform the way they interpret their roles. The Method, Butler asserts, “showed that we were not rational, but repressed. Its model of the human was one in which roiling seas of emotion and discontent lay beneath all of our frozen, placid surfaces.” Central to this detailed, authoritative narrative are many strong-willed, often irascible, characters: acting teachers Lee Strasberg, Stella Adler, and Sanford Meisner; directors Howard Clurman and Elia Kazan; studio founder and producer Cheryl Crawford; and a host of actors, including Marlon Brando, Marilyn Monroe, Gene Hackman, and James Dean. Inspired by Stanislavski and Boleslavsky, in 1931, Strasberg, Adler, and Crawford founded the Group Theatre, aiming to establish an ensemble company that would revolutionize stage offerings. Awake and Sing, by Clifford Odets, became the first major play of the Method era, Butler notes, setting a template “for the kinds of psychologically realistic depictions of everyday people that were associated with the American theater for the rest of the twentieth century.” Throughout the 1930s, rivalries and conflicts abounded among the founders, and actors and directors defected to Hollywood. In 1947, Kazan founded the Actors Studio, with Strasberg as artistic director and Crawford as vice president; Adler set up her own school. Butler follows the fortunes of various teachers, directors, playwrights, and actors as the entertainment industry—and American culture—evolved, with the Method only one of myriad approaches to acting. The author also delves into the debate over expression, naturalism, and artifice that continues still, as actors strive to convey “the truth of being human.”
A well-researched cultural history sure to please theater and film buffs.Pub Date: Feb. 1, 2022
ISBN: 978-1-63557-477-7
Page Count: 512
Publisher: Bloomsbury
Review Posted Online: Oct. 26, 2021
Kirkus Reviews Issue: Nov. 15, 2021
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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