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THE HOUSE OF THE SPIRITS

A strong, absorbing Chilean family chronicle, plushly upholstered—with mystical undercurrents (psychic phenomena) and a measure of leftward political commitment. (The author is a cousin of ex-Pres. Salvador Allende, an ill-fated socialist.) The Truebas are estate-owners of independent wealth, of whom only one—the eventual patriarch, Esteban—fully plays his class role. Headstrong and conservative, Esteban is a piggish youth, mistreating his peons and casually raping his girl servants . . . until he falls under the spell of young Clara DelValle: mute for nine years after witnessing the gruesome autopsy of her equally delicate sister, Clara is capable of telekinesis and soothsaying; she's a pure creature of the upper realms who has somehow dropped into crude daily life. So, with opposites attracting, the marriage of Esteban and Clara is inevitable—as is the succession of Clara-influenced children and grandchildren. Daughter Blanca ignores Class barriers to fall in love with—and bear a child by—the foreman's son, who will later become a famous leftwing troubadour (on the model of Victor Jara). Twin boys Jaime and Nicholas head off in different directions—one growing up to become a committed physician, the other a mystic/entrepreneur. And Alba, the last clairvoyant female of the lineage, will end the novel in a concentration camp of the Pinochet regime. Allende handles the theosophical elements here matter-of-factly: the paranormal powers of the Trueba women have to be taken more or less on faith. (Veteran readers of Latin American fiction have come to expect mysticism as part of the territory.) And the political sweep sometimes seems excessively insistent or obtrusive: even old Esteban recants from his reactionary ways at the end, when they seem to destroy his family. ("Thus the months went by, and it became clear to everyone, even Senator Trueba, that the military had seized power to keep it for themselves and not hand the country over to the politicians of the right who made the coup possible.") But there's a comfortable, appealing professionalism to Allende's narration, slowly turning the years through the Truebas' passions and secrets and fidelities. She doesn't rush; the characters are clear and sharp; there's style here but nothing self-conscious or pretentious. So, even if this saga isn't really much deeper than the Belva Plain variety, it's uncommonly satisfying—with sturdy, old-fashioned storytelling and a fine array of exotic, historical shadings.

Pub Date: May 23, 1985

ISBN: 0553383809

Page Count: -

Publisher: Knopf

Review Posted Online: Sept. 13, 2011

Kirkus Reviews Issue: April 15, 1985

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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