by Isabel Minhós Martins ; illustrated by Bernardo P. Carvalho ; translated by Daniel Hahn ‧ RELEASE DATE: Sept. 1, 2016
The takeaway is an important one: peaceful questioning of authority can lead to quiet revolution.
An armed guard stands in the gutter of the book, refusing passage to the other side no matter how much the growing crowd pleads.
The story opens to a vast, blank, double-page spread, except for a lone, white guard and a tiny dog. A page turn reveals a white person walking into view from the left. As that person attempts to enter the recto page, the guard yells a ferocious “STOP!” When pressed for a reason, the guard simply says, “My general reserves the right to keep the page blank, so he can join the story whenever he feels like it.” More people (and creatures) come as the pages turn, until the left-hand side is packed. When a red ball innocently bounces across the border, everyone freezes. The guard allows two children to retrieve the ball, and suddenly the floodgates open. The crowd swarms across. When Gen. Alcazar sees the disobeying mob, he tries to arrest the guard, but the crowd overthrows him. This abstract tale can be read many ways. A musing on order versus disorder, tyranny and revolution, or perhaps the most prevalent of late—immigration. Childlike illustrations in colorful marker and comical hidden identities (a certain extraterrestrial really wants to cross to make a phone call) lighten the tone. The endpapers show the entire cast of characters (the humans mostly white), which adds an element of seek-and-find as well.
The takeaway is an important one: peaceful questioning of authority can lead to quiet revolution. (Picture book. 4-8)Pub Date: Sept. 1, 2016
ISBN: 978-1-776570-74-4
Page Count: 40
Publisher: Gecko Press
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
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by Ana Pêgo & Isabel Minhós Martins ; illustrated by Bernado P. Carvalho ; translated by Jane Springer
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Suzanne Lang ; illustrated by Max Lang ‧ RELEASE DATE: May 15, 2018
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...
It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?
When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)Pub Date: May 15, 2018
ISBN: 978-0-553-53786-4
Page Count: 32
Publisher: Random House
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
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by Suzanne Lang ; illustrated by Max Lang
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by Suzanne Lang ; illustrated by Max Lang
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by Suzanne Lang ; illustrated by Max Lang
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