Dizzying, unsettling, and extremely smart.
A Londoner is the subject of a surreal trial in this kaleidoscopic novel.
Sterling Beckenbauer knows a thing or two about loss. “Lost my father to AIDS, my mother to alcoholism,” they reflect. “Lost my country to conservativism, my language to PTSD.” And after they’re set upon outside their flat in Camden Town in London by several bullfighters, they’re in danger of losing their freedom—while later, at a football match, they’re accosted by two police officers dressed as club officials who inform them that they’re being arrested for assaulting the bullfighters. (They later learn they’re also being charged with “forcing arresting officers to go to Hendon, Travel Zone 4, on a Saturday.”) The timing couldn’t be worse for Sterling, who’s just about to launch the latest installment of Cataclysmic Foibles—“a quarterly series of DIY artists’ plays”—with their “bestie,” Chachki Smok, a costume designer. Things then take a turn when Sterling learns that they’ll be allowed to stage the next play, but only if it also functions as their trial. And as for that trial, it’s presided over by a judge who’s “a tall, blue-bodied frog, spindly, with the head of a fledgling bird,” and the spectators include “a pig in a religious habit” and others with “frog-shaped white hearts beating in, or on, their funnel-shaped chests.” Add to all this a time-traveling doppelgänger, a spaceship, and a “PINK SPIRE WAKING UP APROPOS OF NOTHING AND COMING FOR ME WITH ITS CRUSTACEAN LIMBS AND ITS HAIR-FINE JETS,” and you have a novel that defies the laws of literary physics—Waidner seems incapable of not surprising their readers, and the novel, despite its serious themes, seems like it had to be incredibly fun to write. Still, it’s a sobering look at the way underrepresented communities—migrants, nonbinary people—are treated: “They know what it’s like to be on the receiving end of a system poised against them; to be positioned as the aggressor, the danger, when having nothing, nothing, on the other side.” This novel is part Franz Kafka, part Hieronymus Bosch, and part Monty Python, but mostly it’s completely sui generis. And it succeeds on every level a novel can.
Dizzying, unsettling, and extremely smart.Pub Date: Feb. 7, 2023
ISBN: 9781644452134
Page Count: 192
Publisher: Graywolf
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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