A KILLER’S GAME

Ever wanted to try out an escape room but been stopped by your own claustrophobia? Here’s the perfect substitute.

Alertly spotting the fatal poisoning in progress of Nathan Costner, chief of staff to Sen. Thomas Sledge, on a New York street, FBI agent Daniela Vega pursues the assassin but loses him in the crowd. Luckily, he’s soon identified anyway as Gustavo Toro, a killer for hire whom Dani’s boss, Special Agent in Charge Steve Wu, nabs and cuts a deal with that depends on Toro’s passing Dani off as his romantic and professional partner when he reports back to his paymaster, Col. Xavier Treadway, who’s said that he needs him for a big new operation. There’s a new operation all right, but it’s one in which Treadway is just another pawn, not a king. Someone calling himself Nemesis has lured 12—with the addition of Dani, 13—killers into a vast and isolated structure rife with dangers and promised that only one of them will make it out alive. “This was not entertainment,” Dani tells herself. “People’s lives were at stake.” But she’s doubly wrong, not only because she’s a character talking about other characters in a novel, but because a virtual version of the helpless killers’ attempt to escape from their elaborate trap by collaborating with each other when they must and killing each other when they can is streaming in real time for an audience that includes the FBI, the NYPD, the Joint Terrorism Task Force, and Dani’s kid sister and brother, who each bring something extra to the party.

If you can swallow the outrageous premise, Maldonado keeps the plot boiling and the bodies dropping to the end.